Pale Preparation Sofia vs Tsubasa

Ransotengai: Rengoku: A more advanced form of Ransotengai, Sofia is able to use her own reiryoku to create several strings made out of reishi to attach to objects or people. Through her own will acting on her reiryoku, she is then able to make objects move as if she held them, as a puppeteer would with a puppet. Likewise, she is able to control an individual by making a certain area of their body move. Unfortunately, due to the concentration required to continue moving and battling on top of controlling something or someone else, the ability is quite hindered. Though she may control several objects, Sofia usually limits to about two, to avoid falling prey to confusion and disorganization of her battle tempo. When trying to control people however, she’s only able to control one limb. For instance, she would be able to affect the movements of a leg, or an arm, but never several limbs, let alone the whole body at once. Just like with the original Ransotengai, the strings are only visible when she makes the initial attempt to use it, but they’re obscured from sight and sensing masked by the reishi all around her and the target. An individual with a reishi manipulation skill higher than her however would be able to sense the exact location of the string after one post of being used. Of course, the limited or unintended movement of a certain limb Sofia controls would be grounds to discovering where her string is attached.

Engelscheibe: Sofia places a Ginto tube between her hands before pressing them together causing it to shatter and empty its contents. The reiryoku contained inside the tubes reacts with her spiritual presence to create an orb that expands into a rapidly spinning disk of silvery light hovering a foot or so before her with a dimension of about five meters in diameter The rapid spinning disk allows to block incoming blasts so long as the target’s tier does not exceed her own. While it can also guard against physical attacks, the sharp nature of it would make it a perilous attempt. Engelscheibe can also be thrown through her mental disposition, but therein lies the disadvantage of her ability. While Engelscheibe should not be blocked, as the rapid rotating sharp nature would cause it to slice through even the strongest kind of defenses, it's relatively easy to dodge. Any target with a skill in speed that’s at least on level with hers should be able to easily dodge Engelscheibe if they intend to do so. Though the technique unfortunately cannot be controlled at distances beyond 100 meters, something that’s achieved rather quickly due to the extremely fast speed at which it travels, it can however have its diameter doubled at will before it exceeds its maximum controllable range.

Ginto Sphere: Onyx : The first in the line of Ginto Spheres. The technology wasn’t all that high end, and it surprised her that other Quincy had not attempted it yet. Perhaps they had and she was simply unaware of it. For the most part, Ginto techniques were seen as a relic of the past, rather weak and obsolete. And quite frankly, when compared to the feats spiritually strong beings could perform with other techniques they really were. The Ginto tubes however were rather limited in how much reiryoku and/or reishi they could contain inside. As such, they were limited by the amount of power each technique had from its individual catalyst. And even a step further, there were just a finite number of Ginto a Quincy could realistically hold in both hands, usually around six, without resorting to a different technique to increase this number. That’s how Ginto Spheres came to be. They were simply spherical orbs that though not too big to be obtrusive could hold as much as the combined amounts of the volume of 20 Ginto tubes. The portable fashion, and the much larger amount of reiryoku and reishi stored inside allowed for more room to create techniques that were simply limited in the archaic form of Ginto tubes. Primarily made as a form to continuously enhance her own artistic creations and with a mentality that lately borders on the insane, Sofia has purposely chosen to keep the advent into these spheres only to herself.

Ginto Sphere: Onyx was her first attempt to create a rather useful technique that she simply had no means of using quite as easily with her Ginto Tubes. By activating the sphere and throwing it, a flash of light seems to erupt from within the sphere, attracting and pulling in any one energy technique. The Onyx Sphere doesn’t quite absorb, dilute, or destroy the technique however. Instead, it works as a fusion between reiryoku and reishi activation to create something not too far unlike a black hole. All it really does is change the trajectory of said energy attack to a different location. By throwing an Onyx Sphere at a technique and throwing one elsewhere, Sofia could control the location at which the technique would exit from. Granted, assuming she does not toss a second sphere, the location of the exit of the blast will be randomized away from her: be it somewhere in the vicinity, against her foe, or unfortunately against an ally. Against opponents weaker than her, there’s no need to toss a second sphere since by only using one, she’s able to send the technique where she wishes. In a way, the use of her unique ability, The Melody, continually creates a field that’s embedded with her energy so long as she lives that’s continuously flowing around her. That’s what enables her to control the direction and location with the Onyx Sphere as a conduit to realize her technique.

Unfortunately, Onyx Sphere is not without its own number of drawbacks. Regardless of whom it is used on, the amount of energy needed to create its effects do affect how often the sphere can be used. With a successful use of one Onyx Sphere, Sofia may be able to use it once more, with a single sphere, and induce a two post cooldown after that second use. If however two Onyx Spheres are used at once in an effort to control the exit point of the technique except when fighting someone weaker, then a three post cooldown would incur instead. There’s even one more caveat. When fighting against opponents that are more than one tier above hers, two Onyx Spheres must be used at all times to warrant its effects. And even then, using two of the spheres would only allow for the randomized chance instead of having the luxury of picking, as she wouldn’t be able to project her will on the energy around her when it's overwhelmed by one obviously stronger.

Heiling Buchstabe: Heiling Buchstabe, the Holy Letter. In her quest for artistic dominance and creative symbolism, the Quincy prodigy sought to intertwine her masterful skill over reiryoku to influence her technique in the way she needs it to. Though a picture is often worth a thousand words, the artistic power in battle of the Heiling Buchstabe is well worth a million actions, and a million tears, yet it could only cost a life. It was as swift and beautiful as it was cold and deadly.

Upon using the technique a small letter, any letter, will appear displayed before her. Upon casting, the letter is the size of a dime, though its size its only relevant for a split second as it expands at blinding speeds to tower over 10 meters before caving into itself and being dispersed for good. Nothing else seems to happen thereafter. There’s no direct damage caused by the technique, and it seems as though it was a wasted movement on her part, though that’s hardly the case. After dispersing, the technique latches onto whichever foreign source of spiritual energy in the vicinity that is not Sofia. Of course, she has the freedom to pick which spiritual signal she wants to target in the case of multiple opponents that are completely different entities. As such, dodging or avoiding being branded with the letter is not possible in any way. The letter will always target the source of the power being directed to. Being branded doesn’t cause pain however, and the target shouldn’t notice it in the slightest. After all, the letter is scribed anywhere in their body that Sofia wishes, and with a size no larger than one inch. Still, noticing the letter does nothing and waiting for the letter to vanish is useless as well, as it remains on the target for the remainder of the thread.

Despite the seeming uselessness of the reiryoku spell, the Quincy prodigy used her artistic leaning to engineer a technique that was simply profound. The same letter however needs to be branded onto something else at the same time. And this time, the spiritual signal has to be not just different but related to Sofia. As such, she has no choice but to brand the letter onto herself as well, or onto a sentient creation of her doing so long as its tier is similar to hers. The size of the letter doesn’t change in that case either, and the location of the branding is also up to Sofia’s choosing. From that moment on, should any damage or injury be delivered to the general area where the letter was branded on Sofia’s spiritual signal, then the target would also suffer the same pain, injuries, and consequences as her in the location of their branding. The wounds are handled in a form of ratio. As such, if Sofia brands herself with her height of 5’7” and subsequently gets stabbed in the area, creating a wound channel of 5 inches, then a branded target with a height of over 10 feet, would have a wound channel of just over 10 inches. The damage has to be done to the general area of the branding however. As such, if Sofia has branded her shoulder but she gets slashed on her thigh, the effects would not carry along. The technique is also a one way only, so even if the target were to notice their own brand, stabbing the letter in its location would yield no benefit for them.

However, Sofia may also use to forego the masochistic approach. If so, every time both the target and Sofia speak, a single letter from their first word also gets branded somewhere on their body. Only Sofia can dictate which letter gets chosen. The letter chosen from each first word spoken by the target gets branded unto their body. Likewise the letter chosen from each first word spoken by Sofia gets branded onto her body instead. For another word to be branded it requires a pause in the conversation before it can be considered a new thought. Despite only being branded by her own letters, Sofia is able to rearrange the letters into words and imbue meaning into them. That is the true and most pivotal point of her artistic ensemble. For instance, branding the word, cut on someone would create a cut somewhere on their body with the location of her choosing. Should the word had been burn then it would create a burn instead, and so on. The same applies to her as she rearranges the letters branded on her body into words. For instance, the word haste would increase her speed exponentially, while the word guard increases her defenses exponentially. Of course, not all letters need to be chosen to make the desired word, but every letter chosen has to be available beforehand.

Of course, such a beautiful and masterful reflection of art is not without its drawbacks. For one is one of the most important ones. To be able to directly hurt a target right away, Sofia has to cause the same amount of harm onto the brand on her spiritual signal as the one desired on the opponent. This makes it extremely dangerous also to herself, and not something she’d want to try too often. But there’s more, when using her words to imbue meaning into them, each letter that’s used for an effect gets removed from the body with the exception of the original first word which is always available. Letters already used can be repeated only if and when the same letter is once more added and branded onto them besides the original letter. Though of course, multiple letters of the same kind can be branded onto them. And to top it all, the Heiling Buchstabe can only be used once per thread. As such, should a third party of completely different entity and spiritual signal enter the scene, they could not be branded if a different spiritual signal already has.

Heiling Buchstabe Effects

Letters on Sofia: A*, S
Letters on Tsubasa: A*
Legend: *= Original letter

The Tiger's Mirror: This is the last kido Tsubasa developed, it's a mirror-based kido that creates a defensive barrier. Something capable of absorbing the impact of energy based attacks and fire them back on the person. The max amount of kido mirrors are up to four, the blast can be reflected through them and hitting a target. Tsubasa's many methods of fighting developed more after he built this move, training himself endlessly. The power he created with all this was developed for the single purpose of training himself to insane levels, Tsubasa's mirror kido is something fairly rare using the idea of Danku and taking it to the next level. The mirror kido can reflect other kido and bounce them off all the way up to 99 allowing him a great deal of control and freedom with them. Each mirror takes a single turn for one mirror to form than vice versa. If an attack is absorbed by one mirror and no others are made it takes two turns to fire. One to absorb the next to fire it, this is not an instantaneous effect unless two or more are present.

Binding Tigers: The kido spell designed to create four tigers that come from where ever Tsubasa wishes, these tigers bite into the arms and legs of the person. They can emerge from the ground or come from the air itself, these are a special binding kido that can create more than simply one or two. His special spell he came up with on his own time. These tigers are used for a binding purpose but can be used as offensive Hadō if need be. The tigers which bite into the enemy can be exploded at will, causing a large amount of damage to the target. Tsubasa simply needs to decide if he wishes for the enemy to be blown up on top of everything else. The amount of energy the Tigers explode with is entirely up to him, showing a great amount of control of the kido based element as he trained.


Fujin: This stepping method is much faster and allows Tsubasa to surpass and combine it with his others. This technique was discovered by learning to use his maximum speed from Hoho. He's capable of moving extremely fast enough to hit his enemy with raw power. Using speed this way wasn't something he entirely desired to do. Tsubasa claims this makes him feel like he's become the wind. Whispering into the night and able to move faster than even it. The distant and travel speed are intense. But learning that he could go faster and process even more when he got higher. Fujin allows him to speed up all of his Hoho techniques and moves that he knows. All his stepping methods and techniques are improved with this. They are vastly faster allowing him to use them and not tire out. By learning this he learned how to compose his speed and stepping better. To better himself before anything else was done in this case. He realized his flaws and decided to improve. Grand Master in Hoho Required and Speed to use.


Hachiman:It's a sword technique that falls into no school or category. Tsubasa's skill with a blade is something to be feared and understood. This technique constructs the perfect sword swing into motion. Tsubasa swings his blade and creates a massive shockwave of power and force. By using his skill he's able to create a sword swing that is several hundred cuts into the air. This blast of kinetic force slices through those struck like butter. It has enough power to cut through several buildings and could likely cut through most things. It's not about raw power when he executes Hachiman. It's about him using his skillful wielding of the blade. About him using the resources available to him. He doesn't need to make a big swing when using Hachiman and control the size and strength of the blow. He's even capable fo releasing this from quick drawing his zanpakuto. A good example would be a building hit by this would be cut into small pieces. As it's being cut several times over and over. Grand Master in Zanjutsu or Weapon Skills required

Unabara Phantom Tech

Izanagi: This device was made and crafted by using Shadin's as a blueprint. This deity was given the name for its help in creating something new. Resources were given and founded by the Unabara, the Gotei, and Thailand to refine and build it. The design is something sleek and slender to rival other technology presently out. By using special materials this allows the Izanagi to survive extremely fast speeds. Able to endure the force of excess mileage coming from the fast Tsubasa's body. It allows the user to comprehend and calculate things at an extremely impressive rate.

It's main purpose and design after tinkering and hours of work. Was that the user would be able to create and comprehend things at an enormous rate. By creating a processing speed that was enormous and matched its contemporaries. Given the time and refinement of the quality required its sheer power to endure speed is one of its main attributes along with processing organic and non-organic matter at rapid rates. It allows for an extremely high-speed processing to allow it's user to convert travel speed into combat speed.

However, this isn't due to slowing the world down in any way. What it lets the user do is comprehend and have an extremely fast image of things. It allows for high-speed movement similar to an Eagle Eye or something of that nature. Allowing the brain to process and allow for traveling speeds that go beyond the normal. By processing the information of movement and grasping the matter around it. This allows the user to effectively convert what their travel speed would be safely into combat speed. Allowing them to create an offensive flurry of skills that allow it to move and comprehend at unimaginable speeds.

By combing this with someone with High Focus skills they will be able to turn it into such. They'll be capable of creating their travel speed into combat speed. However, this does require a high amount of focus in the master range or above. Those in Grand Master can do this and much more with it. Able to comprehend and channel their focus or Mental Deduction into truly devastating weapons.

It's secondary and final purpose is to act as a high-speed processor for other technology. It allows them to increase the process of understanding and growth. Giving them the chance to create and develop faster and begin to grow into stronger creatures. This does, however, take away from other skills the technology would have. It doesn't have much to offer in its way of strength or such things. As it's mainly designed to unlock a person potential. Though it can also be used to give computers and such things as Nanobots or other devices a higher processing speed. Allowing them to grasp on to a truly lost art form and calculate at unimaginable speeds for computers and technology in general.

The final power of the Izanagi is that it is capable of withstanding high electricity and even helps Tsubasa control it. By having these calculations within his mind. He is capable of controlling the power much more frighteningly. Able to do things that he previously didn't think were even possible. The calculations and nature of understanding the energy flowing from it. Izanagi's power to endure attack and produce results in this area is startling. It has allowed the Pale Rider to truly see the path before him. His power over metal and electricity have been dramatically increased.

Susanoo: It's said often that the creation process once it begins truly evolves. By experimenting on Nanobots and using the Izanagi process. It became clear the Nanobots could be used to form a fiber like skin that was applied through a liquid submerging. The tests indicated that the skin would act as a layer of the skin comfortably. It's capable of absorbing a megaton of force at its peak. This allows it to take the blow instead of the user. Acting as a cocoon for the wearer and protecting them from its effects. The impact is felt but the user isn't physically damaged as the cells take it.

Now on its primary objective, the Susanoo acts as a cellular layer around the skin. Even masking hair and eyes due to the nature of its application. This defense allows it to absorb high impact but also endure high levels of speed. It lets it take strain off the user's physical body. The cells are capable of absorbing high levels of speed making the strain instead fall on them. While they won't fracture from the speed. Due to their design to take high amounts of endurance.

The second trait which became clear by making these was that the physical body could be strengthed through the skin. By bathing in the solution these are applied in. The user is exposed and letting the skin absorb the nature of them. Allowing these to create and strength bone and tissues inside of the body. Making organs and other things far stronger. This allows the user to tap into much greater strength especially with the Izanagi processor equipped with them. The function is increased when tied with it. As they are programmed to work flawlessly with that feature. This trait is by no means limitless but will help in curing and creating new methods to heal the body from merely this container.

Finally, the feature to restore the broken body from impacts or damages done. This is something that takes time still and could take days depending on the degree of damage. But the user with the Izanagi will find it much faster. However, internal injuries and such things are beyond it to some extent. The factor with restoring the broken cells takes time and effort. The Nano cells will rebuild without the user's needed supervision and recreate what is done. They are immune to electricity and EMPs. As they are directly linked to the human body and only will stop functioning when it dies. In Tsubasa's case, these are linked into his internal Nanobots and allow him to recover faster. They also have enhanced his physical body quite a bit from its previous state. Tsubasa never thought much of such things, but he believes now that he can find that place. That place to fight in the future for his people.

Kierudo Shukuchi: This move is an upgrade to the stepping method. Rather Tsubasa found a way to move much faster, he taps his toe on the ground gently with his sandal. Measuring and calculating the distance, he shoots off. What happens next is he accelerates his body to the point of it completely vanishing. As he starts stepping the ground erupts as the steps cause massive impact. Moving like this he can catch up with most anything instantly. Or get out of combat with great speed. Tsubasa's Shukuchi method is something he decided was needed. He thought his speed was far to slow for the great prowess Khala had. Tsubasa has devoted himself to mastering the Sword. Though mastering himself came first, Tsubasa's Shukuchi is extremely fast. Some may be able to detect it through different means. However detecting and reacting are two different matters entirely. While this is by no means fast as light, it's just short of traveling at that speed. It's faster then sound however as he does move that quickly with the Shukuchi.

Tenjin: Tsubasa had already experimented and developed an immense Focus. He's found that he can go even further when not moving. He's capable of focusing so intensely he can slow things down. By honing his senses to this extent he's able to slow down attacks and people. Able to see them coming much clearer and has time to strategize on what to do next. By focusing all his senses on the singular purpose he is able to slow things down immensely. Tsubasa's Warrior's Focus is only the beginning for something like Tenjin. It requires immense focus among other things. He can even see muscles and things on the smaller level. By focusing so intensely he can tell the difference between snowflakes as they fall. Even tell you the genetic makeup of each one. The degree needed to do this or reach this level is insane. His senses and natural skill in this are otherworldly. Grandmaster Focus required:

Kyokko:
in:
Techniques, Kidō
Kyokkō
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Kyokkō
NorenMekuri
Kanji 曲光
English Bent Light
Technique Statistics
Type Bakudō [1]
Number 26
Used By Shinigami
Bakudō #26. Kyokkō (曲光, Bent Light) is a Kidō spell.

Contents[show]
Description
Hides the physical form and Reiatsu of the caster by bending light.[2] It can be used in combat to mask the Reiryoku used when setting up a trap for the target, masking individual abilities.

Ginto Sphere: Vermillion: The third model in the line of Ginto Spheres, Sofia has once again managed to overcome the difficulties to create something new and innovative. Ginto Sphere: Vermillion is the first of her attempts at creating something that’s neither designed for offense, nor completely devoted to stop an advance either. By using the success she had on her previous two models, Ginto Spheres Onyx & Zaffre, the Quincy prodigy decided to test just how different and unique of an effect she could create from Ginto technology. The result is a red sphere, just smaller than her fist, and not unlike the look of the previous two models besides the color difference. Within it, large amounts of reiryoku from Ginto and her own energy were fused in near perfect reaction for the desired effects.

When used, the sphere implodes into a subtle red smoke. The action doesn’t damage Sofia or the opponent at all, as it is simply harmless noise. The red hue of the smoke is not too thick either so visibility is completely unaffected by this technique. Within a matter of seconds the smoke dissipates. And though nothing seems to have occurred, the next available violent interaction or clash between the musical prodigy and her opponent would trigger its ability. Vermillion creates a form of paradigm, where Sofia’s energy signature is the stable basis of balance. Every other force or form of energy, regardless of type of construct is treated as different and foreign so long as it’s not created by her. With that, Vermillion is able to instantly swap the qualities of two different forces, Sofia’s and someone else’s temporarily.

For instance, should Sofia and her adversary be running towards one another with a knife on hand, and the opponent happen to be much faster than Sofia, then Vermillion could switch the speed of the current action to reverse the outcome and grant the slow speed, and the speedy lethargy. Unfortunately, the Ginto Sphere: Vermillion is limited to one attribute at a time and only one attack or force at a time. What that means is that in the same scenario, Sofia could either swap the speeds of the incoming attack with her own or she could swap the power being delivered by the thrust of the knife. However, unfortunately, it cannot do both. So an extremely powerful and fast attack faced up against a weaker and slower attack, would result in one of the two attributes being changed, though it would still retain one of them as well.

When using two Ginto Spheres: Vermillion at once however, the effects change some. Instead of swapping attributes of incoming forces, instead, using two would create what she calls one of the best tricks in the book. When an attack that has any form of damage or debilitating potential is used while two Vermillion spheres are present, then if Sofia uses an attack that doesn’t induce harm or any debilitating form of damage will cause hers to always land first despite the speed of the attack or the enemy, or even the nature of either. Of course, the ability possesses great risk and disadvantages for Sofia. If she accidentally uses any form of damaging or debilitating attack after using Vermillion and before its effects are underway, then it would be as if nothing had happened, and the events would transpire as they would. However, it doesn’t stop there. Should Sofia use an attack that’s damaging but that it’s also stronger than her opponent’s, then the effects are reversed and their attack hits Sofia first regardless.
A successful use of either a single or double Ginto Sphere: Vermillion would also incur a 1 & 2 post cooldown respectively.

Ginto Sphere: Nagini: The fourth installment in the line of Ginto Sphere models. Sofia has ventured even further into her craft by making use of her masterful control over reiryoku and her dominion over reishi to create something truly awe inspiring. By meshing her skills with the remaining influence from the Seal of Eris, the size enhancement technology obtained from Hebi, and the progress and technology of her gintos and soul synthesized silver, she managed to create an item to build on the success of her second model, Ginto Sphere: Zaffer. The sphere is much larger than a regular ginto tube, filling the hand nicely. On its inside, it stores the contents of several ginto tubes that were infused and manipulated with her own energy to engineer the desired effect.

When tossed, the sphere breaks open into a beam of blinding silvery light that quickly turns a dark hazy gray, before finishing into a cloud of black smoke that disappears rather quickly. At its wake, a rather large beast that goes by the name of Nagini is created. The creature is an extremely large basilisk, with a total length from head to tail of about 50 meters. The basilisk is able to speak every language that Sofia is capable of speaking herself. At the same time, Nagini is able to communicate with Sofia via the hissing sound typical to snakes. While the basilisk is active, the Quincy prodigy can communicate with the snake through either means as well as a two-way telepathic link.

Slithering Smog: At any time, Nagini can spew out a strange dark purple haze of smog with very peculiar characteristics. For starters, the basilisk itself makes use of Sofia’s ability of The Melody in the technique as a form of conduit. It makes sense since she developed the unique technique to be perfectly suited to her own individual needs and skillset. As such, the smog is able to travel up to a maximum of two times the speed of her Melody. Beyond obscuring sight, the smog has the ability to shelter and hide Sofia’s and Nagini’s spiritual location by creating a spiritual resonance that’s similar enough to throw off even the most dedicated of trackers. However, opponents who possess a reishi manipulation higher than hers would be able to locate the Quincy as they would normally through her energy.

But more importantly are the debilitating effects of the smog. Right after using, the smog encompasses an area of 30 meters in radius, and for every post thereafter the radius of effect is expanded by about 50% up to a maximum area of just around 100 meter radius at three posts. The fog cannot last any longer and as such, it cannot expand further. Any individual caught in its range is affected either through aspiration through the nose or absorbed through the pores in its gaseous form. Of course, only Nagini and Sofia are safeguarded from its effects due to their spiritual signal. Within the first post, a target would find themselves a bit dizzy, nauseous, and more prone to misaiming or misjudging direction by sight. After the second post, the target would experience numbness throughout their body which concentrates in one specific limb they cannot move, like an arm, or a leg. At the last post, the fog’s effects would leave the target paralyzed for one post after it has dissipated as a prey before the eyes of its predator. Once the extra post has elapsed, the target would be able to resume their activities normally without being hindered.

Corrosive Fluid: The skin and the inside of Nagini is filled with an extremely corrosive and destructive compound that’s specifically design to eat away and corrode any spiritual signal upon proximity that is neither Nagini’s or Sofia’s. For the most part, the technique is used to combat and defend against spiritual base attacks and forms of defense by exploiting and corroding through them. However, when it comes to spiritual beings, it is not as powerful. For starters, instead of dissolving and eroding everything upon contact as it would on an energy construct or technique, against another individual, the corrosive fluid would be restrained to only affecting the specific area it made contact with. It cannot expand through that singular contact alone. Beyond that, the fluid has an extremely short half-life. It’s the main reason why it’s so effective against techniques and constructs yet not quite the same against people. For instance, if an individual were to, through any particular method seal off or maintain the area of effect, the fluid and its effects would only last for an additional post before evaporating. Those whose tier exceeds hers however are merely presented with third degree burns upon contact instead of the thorough corrosion that would’ve occurred otherwise. Both Nagini and Sofia are immune to the detrimental effects of the fluid.

Skin Shedding: At any time, Nagini can shed its skin in numerous ways for different outcomes. For instance, in a rather grotesque but useful maneuver, a seemingly new Nagini can exit rapidly out the mouth of the original. This causes any wounds or damaging effects that had been inflicted upon it to heal. At its wake, an extremely large and somewhat see-through shell of its former self it’s left to its own devices. Caution needs to be exercised however as the discarded shell can blow up at either Nagini’s or Sofia’s discretion by combining the attributes of its toxic body with the elements of her reiryoku. Likewise, Sofia is offered a similar treatment in a manner that’s nonetheless strange. By literally swallowing her up and spitting her out, Nagini can heal Sofia of any wounds or damaging effects she received. If desired, Nagini can maintain Sofia inside for up to an additional post at a time. And beyond that, once the Quincy is spat out, the fluid of the basilisk is smeared all over her skin and her weapons in a rather different way, providing the benefit of its corrosive attributes to any other being she touches or that touches her, or that is hit with her weapons or its attacks for the next three posts. Unfortunately there is its fair share of limitations. For starters, Nagini may not shed its skin until at least one post has elapsed since it last did so. And as for Sofia, the action of healing her with the fluids it’s still taxing enough that she cannot be healed in that manner for two posts after being healed by it.

Gift of the Sirens: In mythology, Sirens almost always resided in islands, by the cliffs, and rather near the water where they usually led victims to their death. At will, Rona is able to control existing bodies of water or create it herself. Either through her mind or through the sword in Weapon Form, Rona is able to either utilize the available moisture in the air or water in her vicinity. If need be however, the ability literally exchanges reishi in the vicinity or reiryoku from Sofia to convert it into water. It’s almost as if Rona was trying to recreate a visualization of her home through any means necessary.

The water can be controlled to be fired like straight beams, or in the form of bubbles or any aspect Sofia desires. In doing so, she’s also able to manipulate how thick or thin, or long or short the projections of said water techniques are. Following suit with the versatility of water, and Sofia for that matter, the variety of constructs and possibilities with the ability enables her to make use of it in either an offensive or defensive manner. However, there are limits as Sofia can’t simply create an ocean’s worth of water with a single swing. Per post, Sofia is only able to create up to an Olympic pool’s volume of water. And interestingly, so long as the technique is active Sofia is allowed the ability to breathe under water, much like Rona can in her Origin Form.

Vergeltung: A large Quincy pentacle about 10 meters in diameter hovers over a foreign source of spiritual energy of her choosing. Sofia is able to create the pentacle with reishi, lining up the inside that creates the star-like figure with shapes of Quincy swords. At her will, the swords would drop and the pentacle cave down. Rather than cut and injure, the Quincy swords would reveal an elastic nature to them, grabbing and wrapping around the foe in an attempt to hold them down. Vergeltung is a form of retribution for what Sofia considers sins, and it works inversely to what most would expect. Though no one would have a way of knowing unless having witnessed it used on them, Vergeltung is useless if the target doesn’t fight it. Initially, Vergeltung will hold the target down, and dissipate after another post if the target remains extremely calm and still. However, trying to overpower the technique simply makes it stronger and more difficult to be rid of. Stronger or more powerful opponents would likely have a more difficult time unless aware of the peculiar aspects of the technique. Should Vergeltung fail, the technique may be readily used at any time. Should it succeed in trapping the opponent however, the latter will see his physical movements restrained for about two posts. Because of the amount of reishi required to continue to hold on potentially powerful targets, a successful Vergeltung incurs a four post cooldown after use.

Kirchenlied: Sankt Zwinger: The pinnacle of her reishi manipulation techniques, Sofia was able to discover it after researching further into her family history. One of her ancestors was rumored to have used a technique that had not been replicated in her family. Though it was shrouded in mystery, the bits and pieces allowed her to create art on her own for the foundation of the technique. Before activating the technique, Sofia writes the roman numeral X with her hand in the air. Right after, several towering columns of reishi about 20 meters tall each, erupt upwards in a Quincy pentacle like formation around her. Tall and strong walls several meters larger stand just outside the encircled area, through which anyone may enter albeit at a high cost. The roman numerals act can be seen inscribed in the air all around the outside of Kirchenlied from I to X. In essence, anyone who enters Kirchenlied would be hit by an extremely catastrophic blast easily over five times as powerful as a Sprenger, making it extremely deadly. If the target were to somehow survive, they would be rendered immobile for several posts. For every tier the target is stronger than her, two roman numerals are removed every post. For instance, someone four tiers higher than her would would be able to instantly remove eight roman numerals, and be able to escape the restraining functions of Kirchenlied, her strongest reishi technique, after two posts for the remaining two roman numerals. The damaging blast however would cause untold damage to them. Being the pinnacle of her reishi techniques, and as powerful and draining as it is, Sofia can only handle creating one successful Kirchenlied per thread, although she may may strain herself and make a second one, only if the first did not succeed and it's reishi expenditure was much less.

Ginto Sphere: Zaffer: The second in the line of Ginto Spheres, Zaffre was also the first failed attempt in the line of Sofia wanting to create art as she saw fit. By using her skill with Ginto, amassing as many as she could fit into the Zaffre Sphere, and using the size enhancement technology obtained through Hebi and primarily her own energy as a catalyst, she planned to create something worthy of praise. Her idea was to create a powerful, beautiful, and majestic musical being that would aid her in combat. However, something went extremely wrong. Likely due to the influence of the Eris Seal on her augmenting the troubled mindset of a Quincy in her own spiraling descent, caused the technique to develop into something darker and rather macabre. Though still artistic in its own right, there’s a different pride about its creation, and Sofia is not so keen on showing it unless it's truly necessary, as it's an art that showcases a horrific look that’s quite in contrast to her original trek for beauty in art.
Upon throwing the Zaffree Sphere, the energy contained within creates a kind of chemical reaction when exposed to the energy signal of Sofia’s in her own surroundings. It causes the sphere to implode, and water-like energy to drip out of it before turning dark blue as if influenced by a form of energy that’s anything but pure malign. Upon imploding, the remnants of the sphere raise up into the sky, creating a monster that resembles a dark shell containing an even darker pearl-like head within. The monster is rather large, with dimensions that near 40 meters in diameter, and answers to the name of Basatan. When summoned, Basatan created at a tier that matches Sofia’s own, and while it cannot use the same abilities as her, he has a number unique to himself.

Crustacean Transdifferentiation: [Passive] Certain marine creatures undergo a form of cellular transmutation that allow them to go from an elder form to a child form, be it to a polyp state or otherwise. Rather than becoming younger itself however, Basatan uses the energy around him in the chaotic fusion of it and Sofia’s to allow him to continuously regenerate its body to the form and the way it was upon summoning despite the severity or magnitude of the attack. This means he’s able to heal areas of its shell or other parts in great haste, and even regrow areas if they were to somehow be ripped off. Of course the technique is not absolute by any means. While it seems to be able to regrow almost anything through any means, it is severely hampered. Since it uses his own energy and Sofia’s own to allow this, the duration of this summon is much shorter than it would’ve been without the unique ability.

Water Ensemble: Taking dominion over water, Basatan is able to create and control water around him. And, being allowed a lesser use of Sofia’s The Melody so long as she wills it, he’s able to intertwine the two to create unique effects. Whether it is more powerful waves, or sharper strings of puncturing or concussive water beams, he’s a force that serves to contribute to her own arsenal.

Horn Drill: The main and signature move of Basatan, he’s able to create a rather large and sharp drill measuring about 20 meters in length. The drill is poised right above its head, and can be fired at will and to travel in excess of speeds of Mach 7, though Sofia may choose to make it slower or slightly faster by aiding him with her Melody. The drill spins at extremely fast speeds, and seems to present the Crustacean Transdifferentiation as his body to allow it to travel to its intended location. The speed at which it travels simply revolves and redirects most energy attacks around and away it. Upon impact, the Horn Drill will pierce, and as the name implies, attempt to drill its way into and through the target to create quite the catastrophic and likely deadly result. Due to the magnitude of the technique, this is something that cannot be done freely and as often as possible however. Unfortunately, the effort this takes and the drain it causes on Basatan only allows him to be able to perform it twice per battle.
Beyond that, though she tried, Sofia has not been able to allow Basatan to remain out in the field for more than five posts. It seemed as though pushing it further would be way too dangerous for herself and produce effects that she simply would not be able to recuperate with ease from. As such, once the posts have elapsed, Basatan will simply laugh a thunderous roar and disappear into a cloud of smoke. Attempts to try and use the Zaffer Sphere to resummon him will be in vain, since the energy required to perform it makes it impossible for the beast to revisit the field in the same battle after the duration of his stay has elapsed.

Millón Escudo: A light green hexagonal barrier which is normally fixed to one central area and, when inactive, remains invisible. Upon contact with an outside force, the barrier enlarges to fully protect whatever it is affixed to. The barrier keeps the attack away from the target, gathers the energy in one area, and momentarily absorbs the energy from the attack before forcing the attack outward and away from the shield, dispersing the attack altogether. It blocked a point-blank Getsuga Tenshō from Ichigo Kurosaki in his Bankai.[1][2]


All for One- 0-1 Power: By Storing Electrons in his body Tsubasa is able to build up a massive well of energy to release on occasions. Due to his zanpakuto he is always generating and creating static electrons. By doing this he’s begun storing them away for occasions when he needs far more power. By doing this he is able to store and strength his body's cells also. By strengthening the electrons of each cell and making each muscle stronger through storage of power. Tsubasa is in turn capable of feats that amazing and can do much more. By doing this he can convert electricity into physical enhancements also. By controlling this at a high level he is able to heal injuries and do things rapidly. Injuries that normally would be fatal heal rather quickly within a two post period. Now the downside is this power does take the time to store up but there's more to it. Storing electrons is only a portion of what this allows him to do. By increasing the speed and processing of his muscles and heightening things with the electron control more comes from it.

By generating and controlling the electrons inside his body to such fine levels. Tsubasa is in turn capable of creating massively powerful attacks. From his physical body or perhaps even do things with lightning based attacks at are insane. This comes from the process of using this practice in such a key thing. But All For One is far more than just this, it’s power goes further into tapping into his physical body and spiritual body. It is divided into four layers and sections. Allowing the user a great amount of power in other areas. Tsubasa considered the use of this technique to be sort of his last resort. As it functions in four ways within the inner release. Where his Electrons are manipulated to increase speed, strength, and healing. Allowing for him to fight with internal strength while this stage is by far the most fascinating. The other three are none the less formidable. When the Inner All For One is released and activated his body seems to give off electrical discharge without much consent from him.


Moving on to the second layer the layer of the body. This is one that is special in its own way as it represents the bones and skin itself. Lightning is discharged around the body in high concentration creating an armor. Tsubasa previously did this but to a much smaller extent. By creating this armor around his body he is able to create something of a defense. Tsubasa is able to already unleash massive attacks from his body. The trouble with the armor is offense or defense must be selected. He doesn’t get best of both worlds. That is not how All for One functions in this stage of its body. Creating this form around his body does all for impressive defense similar to that of a Hierro or Blut. Allowing him to defend against most attacks though high enough ones can break through.

This does have other books, as it increases his speed by sending jolts through his nervous system. Tsubasa is able to increase his speed dramatically with this technique.The Outer Shell is good for this but does mostly focus on Offense or Defensive means. Not really giving much else outside of those two core elements. Tsubasa has called this the Ultimate Trump Card he could devise in this way. While this form is lackluster to some he considers it rather useful and worthwhile. Tsubasa considers himself both the Sword and Shield of the Unabara. They are the faction who has come from those lands. So far and grown into something tremendous. This is the process to grow and become something different and special for them.

In its third form known as Mind, Tsubasa is able to accelerate his brain’s processing speed to extremely high levels. The rate of information he can focus and process with everything is brought up considerably. This allows for him to function at extremely high levels within pressure situations. Tsubasa considers this as well the last resort. All For One is only to be used when the situation calls for such dramatic things. It’s level system even tells what kind of situation they are in. While the first stage of Inner All For One is Passive and doesn’t truly do anything outlandish. It’s when you get further into the power itself that things change. Tsubasa is capable of process things at a supercomputer's level when activating this. Comprehending and doing things with efficient levels of skill and prowess from his end. This allows him to think and see things at speeds and processes most people could only dream of. With enhancing his body like this, he does require rest afterward. Tsubasa won’t be mobile for a while after using power like this as most Shinigami haven’t pushed the walls down.

Finally, we reach the Final All for One, Spiritual. Tsubasa is able to enhance and strengthen his allies by a set Tier level. Increasing their powers and physical strength to astronomical proportions in his own way. By doing this Tsubasa acknowledges his military must win a fight. Strengthening and making them stronger in areas they weren’t before. Lending them spiritual energy through his power he is able to empower the General Stats as well increasing them to their next stage for this Event Only. Tsubasa’s power is able to reach rather far in this stage even allowing them to use Lightning Based powers for a time. This is the final and most desperate move Tsubasa has in his toolkit. Acknowledging himself not as a man but as a King. He must do what can be done for his people and the land they call home. Those who are trusted are provided with a specialized mark beforehand. Should the situation call for aide Tsubasa will lend them power from a distance. Tsubasa is able to reach across the country if need be to do so. So long as they linger on the same continent as him.

Tsubasa does have a range limit for this but most will get and keep the energy till they use it up. Tsubasa cannot use this more than a single time a thread. This increase does not last forever and will go away after a set number of turns. Ten of them to be exact, as this powers all those who bear the mark of the Unabara. Those within the Clan are strengthened and empowered to new heights by the weight of this power. Tsubasa will require major Rest and recovery after using it as he tires quickly after using it. This isn’t something used lightly nor is it something used often. This is something where he will need many weeks or months of rest to recover. No medicine or anything aside from constant rest will help after using this. Tsubasa’s trump card is special and something only he has shown capability for.you


The releases as listed go Shikai, Bankai, Shikokai, this power is the 0-1 form for Tsubasa's Zanpakuto. Allowing for him to activate and pull out a massive amount of power in a wise and constructive way. It should be noted this cannot be done in sealed in any way shape or form.

Limitation: He can only increase someone's Tier by one and skill by one. but cannot go beyond Master or 1-1++. He can increase up to six people, but his tier goes down for every 2 people. Going down to 0-5 at the lowest. The range of this effect is only at 200 yards upon activation and they must stay there or lose the effect. This effect only lasts for 10 posts total. He may only increase them 3 sub-tiers higher with this power and no more. If 1-3 they are 1-1++.

Metal Manifestation: Tsubasa's Zanpakutō generates metal around him, causing different kinds of metal to form. This power is rare and highly useful for him, he can turn it off or on as he pleases. The metal he forms can be of any makeup or kind, his Zanpakutō simply needs to touch a piece of metal to create it. Tsubasa rarely uses his mental powers as he states that few dogs are worthy of having their barks answered. However, his power to manifest metal in the air around him is something that builds up to what Tsubasa is capable of doing with both powers that he rarely does. Even his best friend hasn't seen him activate his full power, Tsubasa didn't do it when they fought for a simple reason. Why would the desire to kill a friend? Simply put Tsubasa saw no purpose in it and kept hidden his metal powers. The manifesting of the metal can be said to seem like small bits of metal begin forming from his reiatsu, mixing with the electricity that he is generating.

Electric Metal Railgun: Something that comes out very rarely, he doesn't do it for just anyone. Tsubasa turns the metal in the air he has generated and combines it with electricity to the point each piece is explosive enough that if it hits someone. It's like to have enough impact to blow away their entire body. Tsubasa is capable of controlling and shooting these shots from anywhere, he's considered to be in some cases one of the strongest ranged fighters in existence by his clan. Tsubasa considers this merely a warm up. Because just shooting it is stage one, he is capable of forming the metal and electric around his Zanpakutō and can do strange things with it. For example, one point in his life when Tsubasa got serious, he stuck his sword in the ground. It came out from behind the man he was fighting and stabbed him in the back straight through, the blade exploded on impact. Causing massive damage, Tsubasa is a killer without equal in some cases.

Size Adjustment Button: This button applies a special 'effect' to whatever it is equipped to. As long as the object it is equipped to is related to the user's person and uses their reiatsu through it, it is able to interact with the user in the correct manner.

When the user presses on the button, it floods their reiatsu into their body itself, causing for it to expand. It creates a kind of spiritual 'armor' all around the user's body, allowing for to seem as if it is growing exponentially. As long as the user keeps supplying energy, their perceived size will continue to grow, until they are able to rival buildings, up to a maximum of 100 meters at tier 0-2+. At tier 1-1 the user is able to safely grow to 50 meters, and gains ten meters for each whole 'level' above that.

The amount of mass that the user has at their disposal does increase significantly, resulting in the force of physical attacks also rising. It would take a bit more out of the user to wield that much more of their body, naturally, but the effects would generally be considered worth that cost. If the user stays within this form for less than three posts upon the initial activation, they are able to press the button twice in a thread. Otherwise, they are only able to activate it once. In addition, if they stay in this form for longer than six posts, it performs a large drain on the user's energy to keep maintaining the enlarged state, consuming more and more energy for each post after that. For the most part the button is safely attached to her Quincy cross unless she applies it elsewhere.


Letters on Sofia: A*, A, K, U, B
Letters on Ghislain: A*, T, D
Legend: *= Original letter