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Bleach Platinum Hearts RP
Welcome to Bleach Platinum Hearts RP! This is a Bleach Role Playing Forum set in the year 2416, over 400 years away from the Original Bleach's timeline. It has elements of both canon and custom for a unique mixture of role playing never seen before on Bleach. To get started, please sign up and read our starter guide:

https://www.platinumhearts.net/t13634-bleach-platinum-hearts-starter-s-guide

And again, welcome to our Bleach RP.
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Tue Nov 05, 2013 4:55 am

Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  JCRrxmK


THE DEVIL OF SOUND PERCEPTION


DAUGHTER OF KIN


SING IRAMASHA

Artist: N/A - Song: N/A - Word Count: N/A


THE GENERAL INFO OF HER APP




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________


❋ Name: Sing Iramasha
❋ Titles: Princess Of The Kokuryuteshi's
❋ Gender: Female
❋ Age: 370
❋ Birthdate: February 18th, 2043

❋ Iramasha Race: Despite her apperances, Sing Iramasha is actually a Devil Iramasha from the gene's inherited by her father. It's quite the deceiving act if one were to look deeper into her personality and powers to see how rather easy it is for her to deceive people into believe she is something that she clearly is not. If the likes of Sing were on Iramasha Island, her racial and rank would be comparable to one of the Royal Devil Iramasha due to how formidable and potent her blood is.

❋ Current Residence: As of now, Sing is currently residing in the depths of The Kokuryuteshi's Realm after intense training with her father: Kin Iramasha. However, with her activity said to be going on the rise, many have reported increased sighting of Sing throughout Earth and the Soul Society as she prepares to move The Kokuryuteshi into a new direction over the course of the year. Specifically occurring after she was given the title of "Princess Of The The Kokuryuteshi

❋ Appearance: Sing is a very complicated girl with some obsession issues of her father. Her radiant appearance is supposed to look as clean and pure as possible to uphold her fathers name with pride rather than dampening it by being an imperfect child. If she was ever badly wounded or her clothes were torn her first priority would be to clean that appearance of hers.

Sing's face reflects that of a tomboyish girl with a gigantic grin and dark hazel eyes as if she wanted everyone to know who she was through a piercing vision. Her hair is a puzzling aspect as it flops across her head like a mop and is the same colour as one which fuelled many jokes against her. The most distinguishing feature of Sing are the two stuck up spikes of hair on either side of her head. Pointing to the heavens, these gray spikes of hair look like mimmko cat ears but this would be wrong as it's a mere hairstyle. Sing has rather short arms and legs as she only stands at 5'7 and that height isn't that accurate as she wears tall heels at times. You could almost say Sing was a little child from her stature. It's her attitude that makes people realise she's not that young.

Sing likes to wear her combat dress wherever she goes for a good reason: It's part of her weapon. the dress consists of two layers, a smaller beige dress and underneath a long purple attire with a very peculiar pattern frill. Down the front of Sings beige coat are a number of runic symbols and patterns that don't appear to mean anything and she wears it for the looks and appeal. Having runic clothing makes you look smarter apparently. Down to her thighs is where this coat ends but that's never too obvious from the dress beneath it. The coat has no sleeves and neither does the dress so her arms are bare except for a little bit of cover from a blue scarf worn at Japanese schools.

Around her waist lays two different belts and both have different tasks to one another. A thinner, dark blue and purple belt around her belly more than her waist acts as a tie up to keep her coat from flapping around too much in the wind. It is decorated with Golden Rings that a metal clip would fit through to tighten the belt but this can't be seen so it's curious whether it even has one or not. Underneath this across her hips more is the second belt, made of a golden material but flimsy in comparison. The belt is solid with blue arrow patterns around it almost like a snake scale. At two points on the front of the belt there are two ornaments, flower shapes of gold holding only four petals. Coming from both of these are string, appearing weak but actually very strong. These are attached to her swords scabbard so she can wander around with it freely by her side.

Sing has something for headphones too where she will always be seen wearing two large headphones on her ears with the joint disappearing into her hair never to be seen again. it would almost be as though the headphones were actually her ears but they may as well be from how long she has been wearing them. The symbols in kanji on the headphones mean little to what she actually wanted them to say. If she had it her way she would have written a funny insult on them but instead was left with the damn company logo. Hopefully nobody would notice it because that does make her lose her cool a bit. the headphones are coloured in two rings where the inside is a dark purple highlighted by a second ring of brighter violet. The Kanji is in gold.

Around Sing's left wrist is a peculiar bracelet as a decorative addon. She has at times gone all wonder woman on her targets and tried to deflect things with it but as soon as something gets near, she is too scared about hurting her appearance that surviving the blow and dodges. She would then claim this was actually her plan all along but truly she wanted to keep the golden bracelet in tact. It is made of a golden alloy too so it should be fine. Within the bracelet is the design for the sun made in a mysterious swirly star shape which is repeated two more times around it. The symbol isn't solid all around as you can see her skin through gaps in the bracelet.

The purple dress underneath the beige coat is hardly ever seen as the coat is held up by those two belts and she never wants to take her coat off unless she is sleeping in her pyjamas. The lower body of the dress is rather formal but has no patterns on the dress itself. Instead, there is a frill around the bottom that takes on the appearance of twisting thorns and vines. Parts of it are pointed and amazingly, never tear when she is tumbling around. the frill appears slightly blue but remains purple as a different shade to the rest of her entire attire. The dress of itself matches the inner colour of her headphones of a dark purple. The upper body of the dress remains a mystery but it actually turns into a frilled breast high over the shoulder dress.

On her feet are a peculiar pair of shoes, not exactly that flexible but that's not the point. Taking on a sort of schoolgirl shoe appearance but made entirely of gold, Sing wears a supposedly heavy but actually light weight metal alloy that's gold in colour. There are gaps where the tongue of the shoe would be allowing people to see her bright white socks. It's almost as if Sing was ready to go to school with those feet. Around her ankles are bracelets very similar to the one around her left wrist. in fact their so similar that their exactly the same.




THE PERSONALITY SECTION OF APP


THE PSYCHE OF THE PRINCESS




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________


❋ Persona: Sing is a girl of many faces. A girl that never likes to follow rules. A girl that would laugh in the face of death. A girl that would do absolutely anything for her father. And also a girl that say all of this out loud before taking in any facts or determining the situation. Whatever she may say can always backfire and that is something she really needs to work on. Just because sing yelled out that she would kill anybody that dared touch her doesn't mean she will when she finds out their stronger than her. In fact, she would probably run away to live for another day. She is no coward thanks to her forward approach but she does hate being hurt.

One thing people actually like about Sing is her nature to randomly hum a tune, sing a chorus or even click her tongue on the roof of her mouth to a verse. Just being around her will cause either massive irritation of the feel that your sitting beside a living jukebox. She would usually be singing along to whatever song she was listening to at the time and that is always along the lines of Nightcore genre music. Theres something about high pitched girls singing to a beat that she absolutely adores. However this also gets in the way when somebody is trying to talk. Sing turns up the volume so she can;t hear the outside world and just rocks back and forth happily. Don;t bother getting her attention when she is listening to music. Then again, 90% of her life is based on listening to music.

Sing is a girl that wont sit down and wait when it comes to her father. If she knew he was in trouble then she would quickly be on the scene to help him. She finds every decision he makes amazing and will never disagree with a single thing he says but that is something that is also wrong with her. Sings obsession with Kin is almost worrying as she will go to amazing lengths just to please him from simply taking things to him to even running into the enemy base alone without her sword. No matter what, as long as her father can be seen happy then she knows it was all worth it.

But then there's this annoying side of the girl where she seems to act like a complete retard. Sing likes to say she doesn't understand something even if she was the person that invented it. The only person she will never question is Kin but that is understandable. Even the way she wont follow orders given by anyone but Kin gets on peoples nerves as she wont even hear them out half the time. Especially when somebody tries to explain something to her. Sing would play around and say she doesn't get it then state she is bored and stroll off.

Sings nature to grow bored of something is also a pretty valuable personality trait as it gets her out of messes just as much as it gets her into them. At times she could grow tired of a fight and want to call it off, usually demanding it and walking away. Other times she will start doing a task and leave it half finished. Things like that wouldn't include the washing up or chores as she feels too pure to need to perform such tedious tasks. This also reflects her feel or authority over most people and how she doesn't like to be talked back to. If a few words existed to describe Sings attitude to others it would involve such phrases as: Ignorant, Snobby, Stuck up and Two faced. When its Kin however she's an absolute darling where she does everything he says. Maybe dressing up as Kin would get her to listen for once.

Sing speaks with a sort of American cross British accent where she just took up her own dialect after following her father for so long. Even though she disappeared for a short while, Sing has actually been across the entire world talking to people and managed to throw up a large number of languages. Being able to speak English, French, German and Spanish means she is relatively good at talking to people abroad. This doesn't really mean she cares for the places, it just shows that whenever somebody says something foreign she can almost always translate it.

It's in Sings nature to never like Takeaways or fast food thanks to her healthy diet. Sing tends to loom around cakes and bakeries but will never buy any of the sweet stuff. Instead she can usually be found drinking a low fat milkshake and humming as she did so. One time when she did stomach a fast food diner she only had the milkshake there and found that adding ice cream was genius. So now Sing drinks low fat ice cream with low fat milk and all the low fat stuff as though she was worried she was going to put on weight. Honestly though, it's not like this girl would ever eat anything but healthy food and run about all the time so what is she so afraid of?

Sing also has a very indescribable hatred for Azure, the son of Ketsu. She isn't related to him in the slightest so any sibling rivalries are out of the picture. Not many can really understand why she hates him so much and if you asked, she would ignore the question. Sing tries her very best to piss him off by asking him stupid questions, not listening to him, ordering him about, calling him names and blaming everything that goes wrong on him. Sing to heart has no clue why she hates him either but feels her relationship to her father a match to his relationship with his father. Her being female it was expected that she would be underneath Azure in rank but she hated that aspect. Now, she doesn't even know if she hates that fact about him. Maybe its the irony of his pink hair and blue name.






THE BACKGROUND SECTION OF APP


THE HISTORY OF THE PRINCESS




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________


❋ Background: Sings history begins with her literally waking up in her bedroom. Her eyes opened slowly at first, but after a few moments she shot up and looked about her as though she had no idea she was in her bedroom. The voices behind her bedroom door were unknown, the clothes she wore were new to her and even her entire appearance felt like it didn't belong. She muttered to herself and even that soft voice she used was completely unrecognisable. Why couldn't she remember anything? This is where the life of a fallen child comes into play.

Sing is the secret child of Kin Iramasha, a dangerously powerful lord of K-world that he took over from Ender hundreds of years ago. It was when Ender was defeated that Kins reign began and the creation of Sing was but a mere thought in Kins mind. Sing was born to an unknown mother because she forgot entirely who she was, yet another memory she just can't recall and this became a lifelong passion to the girl. She grew up in K-world during a period of time where Kin was sealed away and had to fend for herself as her mother was stolen from her shortly after giving birth. This certainly made it hard for Sing to even start existing but luckily the odd person or two would offer to look after the girl but were never told she was Kins daughter. After about a month of being in a family, she moved to the next as they continuously traded her over every 30 days. This was until she was about 20 years old and started to get a feel for things. She had no idea she was Kins daughter and just thought she was a horrible girl that nobody loved. Soon, sing became a very depressing girl even after 20 years.

Wandering around the dangerous plains of existence, she appeared incredibly weak and unable to sustain herself as she had left yet another family with no one else willing yo take up the task of providing for her. That was when people began to realise exactly who she was. That reitsu signature that she leaked from her body as she got angry at stupid things like tripping or by being upset matched Kins and everyone in K-world soon found out that Kins child existed. The families gathered once more, this time all of them pleading for her to join them again. Sing had no idea what was happening as she wasn't told, people just came after her every single day. Sing couldn't run forever though and needed to find somewhere for her to hide until she was forgotten about. Finding a strange wooden shack in K-world, distant from the actual metropolis of the world on a small ridge, this place looked like it was about to fall down.

Sing ran inside and was met by a single person, an old man with a beard as long as a python and eyes closed permanently from such secure focus. He turned to her when she arrived and accepted her presence in his sort of humble home. He knew she was Kins daughter but also had dignity and selflessness. This man never did give out his name though, so Sing refereed to him as 'Old man'. This man was also the person to give her a permanent name she would never change. One day when she was happily sitting beside the old man and joining him in prayer, she started to sing a little tune to herself. The only thing her mother left behind was a song that she couldn't forget. The old man found her soft voice matched beautifully with this song and decided to name her Sing.

Once she was 23, she had been living with the man for 3 years and squads of people had stopped appearing to find her. The world had gone silent once again and Sing could live in peace. The old man however was growing frail and slightly more curious as to the girls condition. Sing had yet another thing to learn about herself and that came when she sat praying with the old man. Her reitsu signs slowly rose as she prayed with him, then suddenly they enveloped a memorable trait. It was kins reitsu, but that of a demon iramasha that the Old man had not realised existed in her. It came rushing to his mind that Kin was a demon iramasha so his child must be too. This was entirely against his religions to pray with demons themselves but he had no choice any more. He ignored it for a few days before he decided to travel to the Metropolis of K-world and talk with the higher ups about her. He claimed to have gone out fishing, but when she had found out there were no lakes nearby and he only left with a long stick, she realised something was wrong.

The old man arrived safely and confronted the higher ups at the time Kin was sealed. This really didn't help him though because as soon as he said he knew the location of Kins Daughter, he was captured and forced to reveal her whereabouts. After that, he was thanked before stabbed in the shoulder and left in the interrogation room with a single guard protecting the door so he didn't go anywhere. He was to play a part later.

Sing however was still running. It had been 2 hours since he left and she couldn't run any faster than this. But thats what she didn't know. Suddenly vanishing and appearing somewhere else, she began using her Iramasha powers freely without even wanting to. Before she knew it, she had reached the main plaza and hurried inside. Climbing to the order room, she ran in to find it empty. This mustn't have been where she had to go so she turned quickly to find herself running into the chest of a tall guard. he grabbed her and threw her into the interrogation chamber with the old man. AT about this point, he was almost dead from blood loss as his old age couldn't handle a wound this deep. Sing crawled over to him as he patted her shoulder and handed her the stick he was holding.

However this wasn't actually a stick but something she misinterpreted. What he was actually holding was a scabbard of a sword but without the sword. In his other hand however was a golden dagger. It looked a little blunt and it seemed as though he wanted to show her that too. She took it from him and held them close together but that guard noticed she was up to something. Running over, the guard was thrown back as a brilliant light shone in the dark room lighting the entire place up. After that shine had vanished, the three people in the room were left laying on the floor, 2 unconscious and one dead.

This is when Sing was left in stasis for a large amount of time. Her body was now in tune with a special artefact the old man had granted her known as Ruko Le Sorin. It was like a Zanpakutō in the way that it had powers but had no known spirit. For her to properly synchronize with it, she had to be rendered to this state so her body and mind could resonate. Soon, another item appeared around her waist as the golden belt. After some time, she awoke in a world where she had lost all memory and that is where her story began in this time.

Her true father was alive here and the only memory she had was the remembrance of who her father was. This was the first person she ran to when she woke up. Climbing out of bed in a bedroom she didn't know of, she ran down the maze of corridors until she found her fathers room and burst in. From there, their relationship became that of father and daughter. Sing fights for him now with the powers the Old Man bestowed upon her with Ruko Le Sorin.




THE SKILL SHEET SECTION


RACIAL SKILLS

Chaos Warp:
Master

Chaos Energy Skill
Grand Master

Gem Creation:
Advanced

Chaos Fighting Style:
Master

RACIAL SKILLS

Chaos Warp:
Master

Chaos Energy Skill
Grand Master

Gem Creation:
Advanced

Chaos Fighting Style:
Master




Last edited by [THEFROST] on Thu Jun 16, 2016 3:32 pm; edited 20 times in total

__________________
Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  WVMWLOu
THEFROST
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Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  Left_bar_bleue99999/99999Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  Empty_bar_bleue  (99999/99999)
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Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  Empty Re: Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]

Tue Nov 05, 2013 5:34 am

Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  JCRrxmK


DAUGHTER OF KIN


SING IRAMASHA

Artist: N/A - Song: N/A - Word Count: N/A


THE GENERAL STATS OF SING




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________


☩ Average Weapon Skill: As far as Sing's weapon skill goes...there leaves alot to be desired. While she knows how to pick up a gun, swing a sword and knows the very basics of weapons based combat; she hasn't applied herself enough to be of real advanced use. Specifically, since she focuses more on hand-to-hand or AoE based attacks, there has't really been enough need for such a skill as well. So until Sing sees a reason to sharpen these skills, there is a good chance this will never change much. Although, she does have a modest collection of weaponry of she needs them from being associated with The Kokuryuteshi.

☩ High Stamina: Due to the heavy training by her father, Kin Iramasha, in the art of mastering her spiritual energy and the likes of Sing pushing herself heavily in the areas speed and strength; these three factors were tipping points in her attaining Super Stamina. This ultimately means that Sing's body can naturally hold off strain; such as if she were to fire a row of energy blast in a row without tiring out physically. Internally? SUre she lost some energy. But physically? It won't phase her much. It takes more heavy abilities, attacks and physical feats for it to sit in. So she can easily keep her high speeds and strength up for long periods of time before tiring out; which is essential to her if she is ever without her special abilities or powers. Though, she can only delay these effects for so long before fatigue eventually sets in and wears her down.

☩ Advanced Durability: While Sing may not have the strongest durability in town when compared to others of her ranking, she is be no means inept in this area. She has a very respectable amount of endurance to be had. Thanks having become adjusted to maintaining such heavy amounts of spiritual and Chaos Energy, her body's tissues has naturally become hardened and more durable as time has progressed thanks to her otherworldly traits. All of her skin, muscles, bones, body-tissue and organs are dense enough to allow them to withstand many sorts of critical blows. Some of these include being able to take varying direct explosions, heavy hits to the face with enough pressure to obliterate city clocks and most types of brunt forces. However, it isn't just limited to that. These can apply to the area around her as well. These feats include being able withstand very harsh climates; such as being able to not be phased much by massive fluctuations in the areas of temperatures, changes in gravity around her or even space itself. As Sing has stated that her body holds the capacity to withstand the vast depths of space indefinitely. Though that yet to be proven yet.

Destructive Supernatural Strength: Despite having such a small size, this is actually one of Sing's stronger traits. She has shown the capacity to easily be able to level entire city blocks, generate many sorts of Earthquakes and blow through entire armies of people with her hand-to-hand skills. So it would be wise to deduce that her strength is of a very high level. Many of the capacities in her Chaos Fighting Styles even allow Sing to shatter attacks with her bare hands if need be, or shatter entirely through shields with raw force alone. If that wasn't enough, she also seems to be able to even implode body parts with her sheer hands alone against opponents if need be through some of her more heavy assaults. Furthermore, Sing is even capable of lifting monstrous figures at peak strength; such as entire mountains, roughly two city blocks or an entire navy ship. Which shows she is no wimp in the slightest.

If allowed to further increase her strength through enhancements, Sing can even level entire cities with her bare hands if need be. Considering that this is too messy for her, however, she tends to avoid doing that and chooses to be more direct or precise with her hits in order to ensure all of the force causes critical damage to her opponents when she gets more serious with the level of force she wants to use behind a punch. As when she gets serious, Sing has a technique which allows her to cut through space itself for short durations of time in order to generate a large quantity of destructive blows against her target. Which shows the full extent of how far her raw strength can be taken if she decides to get focused in a battle against someone worthy of being her adversary.

☩ Supreme Speed: This is most likely her strongest trait on par with her strength. Overall, Sing is a very swift individual. She has trained long enough to be able to have some noticeable effects to her body thanks to her speed conditioning. One of the first capacities that her body holds is that she is able to boost herself to a dangerous state of movement where she literally use herself as a projectile and forcibly smash her way through attacks, people or objects. A different ability associated with her overwhelming speed is that she avoid many types of attacks with relative ease. Specifically, when it comes to straight forward attacks such as energy attack, direct punches, bullets or anything in a linear-pattern; there is a large chance that Sing will be able to dodge as she has evasive action imbed into her bodies instincts naturally.

This is ultimately led to other senses being taking along for the read as well; since her eyes and mind have long since adapted to this accelerated world. For when she is moving at these super-sonic speeds, Sing is able to slow her perception of time to much more comfortable pace in order to better analyze what she is hitting, how she is moving and the targets in the area. While her mind is able to process this information, and have the body react accordingly. Making her extremely agile and very adaptable to most circumstances of combat that she finds herself into thanks to this high-level of skill in the art of speed. And to the regular human eye, Sing is nothing but an invisible blur that hits by the time they blink. Making it to where even those with enhanced or augmented senses may have a hard time keeping up with her speed in combat.

Furthermore, she is capable of even controlling her speed to the point where she can enhance herself physically in order to use her momentum to produce devastating blows with monstrous force due to her supreme speed. And with her control of energy, she can even make this a constant force around her and produce a kinetic shield to protect herself from opponents. Or, in one of the more advanced levels of speed, she can even vibrate her molecules at such at a rate of force that it would give her the ability to pass through other types of matter and essentially make herself intangible for short periods of type; albeit she won't be able to attack during this time either. However, it can also lead to something more useful: invisibility. And by advancing the molecules of her own body, Sing is even able to have regeneration and accelerated healing by focusing on making herself repair faster; albeit it will drain her mentally and physically by lowering her speed and stamina a bit.

Other feats worth mentioning that are associated with her speed is that she can easily create sonic-booms with the rate of speed in which moves and produce tornado's at a whim's notice. Which leads most to believe she can at least move at mach speeds when she is in a basic state of combat. On top of that, she has extreme control over her muscles and limbs to make them move in a precise movement at swift speeds; leading immense reflexes and bodily control. Such as being able to catch bullets in mid-air, scan for hidden attacks during fast-paced movement and react nearly instantaneously to even some of the faster speedster due to her body adapting so heavily to her movements and those of her opponents.

Energy General

☩ Inner Chaos And Outer Chaos Energy: Once again, thanks to her bodies natural affinity for accumulating large volumes of energy due to her inheritance from Kin, Sing has an insane capacity to storage monstrous amounts of Chaos Energy within her being. She has stated it is more than enough to fuel the entirety of The Kokuryuteshi when combined with her spiritual energy; making it to where she has plenty of fuel to work with in order to produce the intense effects her powers and abilities possess. And due to how quickly she can summon, Sing often prefers to overwhelm opponents by how swiftly she can go on the offense in terms of energy-constructed combat. As she can summon many sorts of different attacks in a row; albeit her body may feel the strain and deter her from doing so.

While when it comes to Outer Chaos Energy, Sing can draw it in rather swiftly into her being at a very efficient pace. So that when she is depleted of Inner Chaos Energy, she could have an accelerated amount of time before her Inner Chaos Energy comes back compared to the average Iramashsa on her level. This is thanks to her bodies speed, durability and self-sustenance capacities. And although it may be a bit more draining on her, she use wide-scale areas of Outer Chaos Energy as her own by making connections to them mentally; similar to casting hooks out to sea and throwing it around like an extension of yourself. The maximum range she can do this in is roughly the size of a city; and even then it's usually not worth her time as it can strain her mind and body to do so. So it's reserved in instances where she is pressed for energy.

☩ Vast Supply Of Spiritual Energy: If there is one trait she has inherited from her father, it is his affinity for energy. Most notably when it comes to her Reiryoku. Being that she has trained under his watch to maintain the likes of very heavy abilities which can drain her energy, she has had to increase the depth, volume and quality of her Reiryoku to be able to meet the dangerous task in which she faces. Ergo, she has surmised that after undergoing her secluded training with the likes of her father upon his return, she has reached a new plateau of power which could potentially put her on par with other primary faction leaders; such as the likes of The Late Yamamoto or The Former Vandenreich Leader. The depth of these claims has not been fully tested, but she surely intends to show it in the coming months as she has taken a raise to power in The Kokuryuteshi.

More accurately, she has described the mass of her Spiritual Energy to feel like that of a star. As with the amount of Kokuryuteshi stored inside of her body, she can very well go on to produce near some of the same feats of her power; even holding the potential of crafting her own dimension by her raw energy if she were given enough time to device it. So to say the depth of her Spiritual Energy is huge is an understatement. So when Sing's Reiryoku raises during combat, most can even detect the sheer magnitude of the power she attempts to convey to others with words. As it would produce a similar sensation such as being lost in the depths of space if one were to attempt to more accurately scan her.

And to pit things in further prospective, if Sing weren't to balance the levels of energy within herself; she could easily make a large majority of souls around her perish from not being able to stand in the might of such raw energy. As she has stated the most simplest means of paralyze a country, army or organization is not by some complex ability; but rather, simply using her energy to cripple and obliterate the souls around her. In other instances, she can even cause undesirable alterations in the space and dimensions of the vicinity in which she enter itself. Such as causing many sorts of ripples to appear in the area, causing distortions in the space to make things further or closer than they are or even having other forms of energy simply fizzle out in the presence of her Sing.

Lastly, she is more than capable of using this decimating force of spiritual energy to easily augment herself, her allies or any sort of equipment of weaponry she may have on her person. Making her ultimately a dangerous individual to deal with. One capable of wiping out entire armies in the blink of an eye if need be through the force of her power. Living up to her status as a potential game changer in the on-going and progressing world around her.

☩ Astounding Reiatsu: One of the most familiar traits about Sing's reiatsu is that it will often have some sort of purple, golden or maroon color to it. These can fluctuate upon her mood or will; and can have a singular color, or a mixture of them. All of this is highly variable. What matters the most, however, is the intended effects of her reiatsu coming to the surface. For she is capable of easily changing the landscape once more deafening volumes of her spiritual pressure is allowed to come out. An illustration of this would be if she were to channel deeply into herself, and without control, power up o a point where she begins to effect a large vicinity around her; possibly covering a city and it's effects being felt across a continent.

In a powered state, she could generate series of Earthquakes throughout a massive metropolis the size of Karakura Central, sinking it into the very depths of the ground beneath them; while having it's after-shocks reach miles far away from that. The potential for the skies themselves to darken with thunder and lightning could occur; some of which can cause wide-scale damage when these strikes of electricity strike down upon the Earth itself. The oceans and seas would quiver in fear; possibly even going as far as producing a Tsunami wave be it she were near a large body of water to perform that. And all the while, she could even remove oxygen itself; killing thousands of non-powered or weak leveled citizens in moments. In some cases, just this mere surge in spiritual energy could be enough to kill their soul; as many sorts of Hollow's, Human's and other creatures could simply implode on themselves from the pressure release out of Sing's body.

Simply put, when only using her spiritual energy, Sing can use it to have a variety of effects on the area. In an uncontrolled matter, she can clear a vicinity of people in seconds. However, if there is anything about Sing you should know, it's that she is very...precise in her methods. So by directing the various spiritual practices where they need to go, she can pin-point exact spots where modifications need to go at the cost of her energy. Such as imploding a large body of souls to the south of her, while leaving a another accumulation of souls associated with the likes of her organization untouched. And by this method of control, it's even very possible to simply stun or paralyze varying opponents where they stand depending on if they any resistance against spiritual pressure or the differences in reiatsu between them. More efficiently, by increasing her reiatsu, she can apply this to attacks and prefers that method over attempting to outpower individuals and make them fall to their knees.

And in the realm of willpower? Provided they are of weaker of willpower or determination of herself, she even has the capacities to instill fear in her opponents. Albeit she cannot actively control the amount of fear, once it comes into contact with someone, it can have many sorts of second guesses, doubt and worry overcome them if they are unable to fight it off. In severe cases, she has even been noted to make individuals run away and not even bother challenging her power. As most can feel that Sing herself is an entire cosmic calamity of sheer energy from the aura her reiatsu gives off.

Racial General

Hyper Chaos Warp: This is not something that can be used in battle. Instead, it is used for transportation, sealing or hiding mostly. Sing appears to have achieved a very unique version of Chaos Warp. Instead of simply jumping from one location to another, Sing appears to manipulate sections of subspace in order to have some form of space bending. Referred to as a "Hyperspace Void" by Sing, she simply taps into this subspace and re-emerges out in a different spacial location. This allows herself and anything she transports to temporarily move faster than the speed-of-light in normal space; allowing her to travel to a destination of her choosing and ignoring physical barriers in between.

From this warp, she is then able to teleport herself into incredible lengthy distances instantaneously. She has even stated that if she truly desired, she could transport herself into the realm of the Soul King. Although, actually beating him would be a different story. But for the most part, she can easily use a form of spatial awareness to find safe distances to transport herself, find other different types of life-forms and travel throughout the different types of worlds, realms, dimensions and even alternative realities such as her father does. Even being able to reside entirely within a section of sub-space to provide shelter; essentially becoming undetectable nearly when she is sealed within this hyperspace dimension.

Spacial Chaos Warp: This pieces together quite well with some of the feats shown in her Chaos Fighting Styles that allows her to create tears in space itself, and the Hyper Chaos Warp seen above. Essentially, by marking an area in her Chaos Energy, she is able to transport most non-living things into a different location, transport empty space into an area to widen the distance between her and an opponent and essentially control dimensions & area range in varying ways. For instance, if she marked a city block within her range, if they were unable to disrupt her Chaos Energy in time, Sing could potentially transport that entire vicinity away from the city. This includes energy, particles, matter and other substance caught within it; leaving only an empty space for the opponent to flee away from, sometimes even producing an explosion before that area is re-filled with space.

This makes it quite the pain to occasionally fight Sing, as she can do the same to attacks as well. If Sing was attacked from all sides with a full 360 degree angle assault in the form of energy blast, she could release her Chaos Energy to make contact with the projectiles and attempt to phase them out into a different location or even transport them into hyperspace altogether to negate them. In a different circumstance, if she found herself heavily outmatched; Sing could even transport "empty" space in order to add it to the range around her and then dramatically expand the distance between her, and say, an attack meant to seal Sing away. Although this could be taxing on her, it makes for the perfect escape device or evasion technique.

If she truly wanted to be a pest, she has even stated that it holds the capacity to switch spaced and create different sorts of paradoxes within a range expanding a few city blocks. Which means she can switch objects, attacks or entire spaces and swap their locations. Such as altering the dimensions around a cero based attack, and then having it appear next to the opponents allies in order to damage them. Or warping the locations of a building to appear in front of Sing, while she appeared in the buildings location.

Luckily, she is only limited to performing Spacial Teleportation roughly three times per post before she is forced to cooldown for roughly two to three post depending on how hard she had strained herself. If only used it once, then she may be able to use it again in the next post. Additionally, she is also limited to a space where her Chaos Energy can touch and how much force she is willing to put behind her Spacial Warp

Excellent Chaos Sync Usage: This is an area that Sing appears to be well trained for. She is able to use her Chaos Sync to easily establish different sorts of telepathic connections with those on the battlefield to keep in constant contact in order to share information, visuals and create channels of energy to disrupt across a small network from her mind. In more instances circumstances, she can even create a "uniting effect" with those synced to her, and make those who fight alongside her temporarily stronger in numbers by creating a hive of followers. This can lead to boost in tier, different types of enhancements or augmentations to their body/energy/powers and ultimately band them together. Although it's effects will generally anywhere from five to ten post before it gives out due to strain. Consider it a morale boost of sorts that goes into the realm of physical. The utmost number of people can support is roughly ten thousand in her mind. And a comfortable range is usually around one thousand for her thanks in part to her overwhelming energy reserves.

Another amazing feat of her Chaos Sync is that it has a conscious transferal effect. Provided she has permission from those apart of her network, it's even possible to swap or fuse consciousness together for various purposes. An example of this? If Sing herself was on the verge of death and had time to perceive it, as a last ditch effort to preserve herself, it's very possible she could transfer her conscious mind into another body that was associated with the hive of minds with her Chaos Sync. Although her body may be long gone, her spirit and mind could live on until she could find a suitable people to permanently inhabit. Furthermore, she will retain most of her powers, but they will be dramatically weakened or stronger depending on the vessel in which her spirit inhabits. Hence why it may be wise for her to fuse herself with a worthy ally until a new body can be made or found.

She can also perform the same method for all those on the battlefield, but they will have to give her consent in order to perform it. Additionally, the number of conscious minds Sing or another party member can contain within their body will generally vary from their energy, willpower, powers and other similar variables. A regular human could most likely only handle one, where as a near Demi-God such as Sing can handle a much higher number of around one hundred; although she cannot use all their powers at once. The limit is roughly around four before having to shuffle them around. This will take a post to take effect, and a post for the others to fade away.

☩ Skilled Chaos Blast Usage: Thanks to her natural energy affinity and large volumes of spiritual power, Sing can easily produce many sorts of Chaos Blast in a row. To figure out where this level is, if she were an Arrancar, she'd have the same speed and strength as the likes of Starrk from the Original Espada had with his Cero Gun; whereas she doesn't need the gun at all to perform it. And when Sing decides to focus and channel in on her Chaos Blast? It can easily destroy and wipe entire cities off the map once she has had sufficient time to energize and summon the energy. This would also provide she wasn't interrupted or her blast negated/stopped altogether in the process as well. It's also obviously worth mentioning that she'd be drained after doing so and it's something that is generally only used once a thread when summoning a blast capable of obliterating a city the size of Karakura Central.

Outside of that, most of her Chaos Blast can be synced together with her other abilities to make for more potent blast. Such as if she infused it with her vibration, it could unleashes a deafening shockwave throughout the area in order to shatter the particles in a vicinity and disintegrate objects or people; possibly even knocking them clear out of this dimension if the blast was strong enough for a duration of time, indefinitely sending objects out of our space. Therefore, one should be very careful when dealing with any sort of energy construct like this from the likes of Sing Iramasha. As with her keen battle knowledge, she can use in many sorts of different ways to outmatch an opponent.

One way that Sing can possibly use this attribute is by infusing Chaos Blast to her limbs in order to increase the potency her striking power; taking it even further if she applies any sort of Chaos Spell or special ability into mix to stack up the effects and damage. Or she can form an entire sphere comprise of Chaos Blast in order to use that as a makeshift defense against opponents; having to blast through the Chaos Blast themselves before touching Sing. So from these two examples alone, there are many ways in which she can skillfully use this in battle; all being varied across how imaginative and creative she can think to use these energy blast against an opponent; and how much energy she is willing to forgo from herself to enact them.

☩ Gem Creation: Sing is very well versed in the art of developing different types of Iramashsa Gems. Being that Sing has a strong connection to the universe itself and understands some of the mechanics behind it, she doesn't find it very difficult to transfer some of these constructs into Iramashsa Gems. However, this isn't something she is able to do in the middle of combat unless she has the utmost concentration and space to produce it. These are delicate pieces of holy material that she does not want to rush; for it can lead to instabilities, short-life span or incomplete abilities altogether. Making it not very practical in battle-threads.

With that much said, when Sing begins her Gem Creation, she first produced a fine diamond material from her body; the likes of which have durability on par with the likes of Zin and Daigoro Ito's defenses. This is done so that they are not so easily shattered against an opponent. From there, she will than determine what the use of this gem will be. Rather it be a requested power from someone she knows, a certain desire for a circumstance or one for personal-use. So, in this illustration, she will create a gem that has the strength to grant the user temporary use of kinetic bending. In it, when they have physical contact with their gem, they will feed it their energy in exchange for manipulating momentum and speed against their opponents or area in order to de-accelerate, accelerate or enhance themselves with kinetic force.

So, with the design in mind, she will associate the memories of the melody which are associated with this type of power through her Universal Sound, bring it out to the world with her spiritual energy and then infuse it with her the specific gem chosen to be this abilities vessel with Chaos Energy. It's a process that can take anywhere from one to three post depending on how efficient, potent or strong she desires it to be. The more simple it is, the easier it to make; whereas the more complex it is, the harder it is conjure up a gemstone. Potentially, she even holds the capacity to grant someone her own attributes, but that would take some patience and to find someone she could trust entirely with it.

☩ Mystic Chaos Spells & The Scepter Of Infinity: There is a reason that Sing is often seen carrying around a strange Shaku on her person at times. This flat ritual baton has a direction connection towards the URE Realm that is associated with Kin and The Kokuryuteshi. In this realm is a massive land comprised of Unlimited Raw Energy that is harvested from all of the URE Sphere's in addition to what is hiding in Exavil; even being rumored to have sources of DE Force in it. With all that said, The Scepter of Infinity was devised by Sing Iramasha herself to be a special Iramasha Gem infused with a sacred wood. There are no other effects to it other than the fact that it allows The Scepter Of Infinity to sync itself into the URE Realm. Than, by calling upon it's power, Sing can call upon it's strength when the time is right.

This essentially translates to her having a private source of limitless energy at her fingertips: but this doesn't necessarily translate to limitless stamina. It is true she can conjure many sorts of mystic spells with this Scepter, but her body cannot infinitely keep up with it's pace. Henceforth, it will either stop itself due to physical drain, mental exhaustion or being overloaded with insane amounts of energy to the point where Sing is forced to let go out the Scepter until a few post. As an extra cautionary note, it's worth mentioning that the Scepter of Infinity will only work with the frequency of Sing's Soul. Any other person attempting to use it outside of Kin Iramasha himself will result in the object simply being nothing more than a useless paperweight; even for those whom are her allies.

With that much explained, it's worth going into it's more positive effects. Being that she has a strong sense of Gem Creation, connections to the constructs of the universe and much patience; Sing has utilized the Scepter of Infinity to withhold a series of paper charms, scrolls and charms. She has studied many different techniques, methods and moves related with Chaos Spells. Through this knowledge, and the resources at her head, she has enchanted most known Chaos Spells with this Mysticism. She often calls it Pure Chaos Magic, because it essentially mimics the Raw Energy within the URE Realm and produces....Pure Magic. A simple concept for most to grasp. And with her having prepared a wide range of spells far in advance with serenity, time, concentration and care; most spells called upon from The Scepter Of Infinity or the Paper Summons themselves are dramatically more potent than those produced on the fly or even incarnated; due to focusing purely on the quality.

It is even possible for it to be synced on a deeper level into Sing's mind and soul in order to further it's effects, abilities and capacities by the level of determination and willpower which is radiated from her soul. As even those whom have the ability to negate magic would have an extremely hard time dispelling this magic due to the raw effectiveness of it. It is built to last, crafted to endure and brought about in the purest of forms. To simply remove this force is extremely hard and to battle with it is even harder.

Henceforth, from all of this information given, Sing's level of Chaos Spells and Moves seems to be has lethal as her father's: Kin Iramasha. If one were to consider an ordinary run of the mill magic user, they would surely pay the price once they engage in combat and find the depths of Sing's Mystic Chaos Spells.



THE SEISHIN BUKI SECTION OF APP


MASTER CONTROLLER OF SOUNDS




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

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☩ Seishin Buki Name: Uchū Eko (Universe Echo)

☩ Seishin Buki Appearance: It's a rather simply appearance for a Seishin Buki, but one that is a common staple in Sing's wardrobe. They appear to be as what most would describe as a pair"headphones" and earmuffs that have a purple hued color. On the sides of each headpiece is the chinese character meaning "Harmony". This is what essentially connects her to the echos of the universe around her.

☩ The Melody Of Existence: This is what Sing essentially calls her Seishin Buki's powers. In it? It allows her to be connected to the varying layers of the universe and abstract concepts that go beyond it in the metaphysical realm. By adjusting her headphones as needed, Sing can listen in to all sorts of different frequencies, sounds, vibrations and other tunes in the world around her in order to manipulate, sense or otherwise generate effects within her area. For the headphones serve as a connecting piece, while any form of energy can act as fuel to generate it's effects; which in turn are enforced by a vicinity range that varies from encompassing the entity of Sing's body, to covering roughly a small city if there is enough fuel to the fire to be had. As within this field, it is not the energy that is attacking you. Far from it, in fact. The true essential art behind is that Sing's subjective reality is being imposed upon the world from it's effects becoming external instead of internal.

So as you'll find below, there are many sorts of applications to a power like this.

However, before going into that, it's advisable to know it's limitations. One of the first is the fact that there is a limit to how many melodies she can alter, generate or manipulate at a time. Being that she already has a large sum of power, it's safe to save that she comfortably handle roughly a few dozen at a time, but as they progress pass that, there may be more difficult. Which in turn leads to complications as the more complex the melody becomes. If it's something straight forward, there probably wont be much strain on her body, mind and energy. Whereas if she begins to become bigger, more intricated and heavy in it's effects; that's when her mental strengths can become taxed and energy is siphoned. Which is important to remember because she has to manually perform all calculations done with The Melody of Existence, and this can become a tiring effort to repeat over and over and over again within her mind.

So, with that much explain, let us get into the abilities, shall we?

Uchū Eko's Applications

Passive Effects

☩ Self-Sustained Morality: This the beauty of Uchu Eku; given enough time, and provided she isn't in danger or constant threat; Sing can essentially come back from anything. It does NOT MEAN she cannot be killed, not in the slightest. However, if the opponent does not finish her off, eventually Sing's body will begin to repair her automatically by devouring different sounds in the area and sustaining Sing's life force by converting it into different minerals and energy to preserve her life. Which means that even if she went without rest,food or water; she would not die as her body could easily take sounds from inside of Sing or her environment to repair her.

Another feature worth noting with Uchu Eku is that it is used to keep Sing in a state of non-aging by taking trace amounts of sound within herself or environment, and then using it as a form of sustenance to prevent her from aging through further conversion of sound. Although if that fails, than her body will simply just use her Chaos Energy to do so.

However, more notably, on a more advanced level this type of immorality can be used as a form of supernatural regeneration in combat. If she allocates enough resources to this passive feature in Uchu Eku, than she can easily be able to bring back limbs, organs and other parts of her body; provided her brain is still in tact. Since as long as Sing's brain is still in one piece, it can even survive her heart being cut out; as her body would automatically react and reform a new heart...provided she had the energy to do so and her body is in suitable condition. As, in other words, if she has anything below twenty percent of her energy reserves, than she wouldn't be able to reform her heart. To make things more clear, depending on the level of energy you beat out of Sing, she can come back a few times in a battle; as it takes roughly 10 to 20% of her energy to remake a heart as that is her source of life. It is possible for her to reform a heart at 20%, but then she would have little no further energy to engage in combat.

It is also this force that goes to work instantly attempting to rid Sing's body of most types of impurities once UE's Field picks it up. For instance, if Sing were poisoned, her body would attempt to expel it out and filter it from her body without Sing's consent; as she may or may not be aware of the change occurring within herself. Or if she had gotten sick, her body would attempt to locate the parasite or germs causing the illness and swiftly bring her back to good health if possible.

☩ Sound Resistance & Empowerment: Due to the UE's Field constantly being in effect around Sing's body, she has become nearly soundproof thanks in part to her deep rooted origins in sound and vibration. The bases of this is achieved by simply readjusting the properties of Sing's body to be able to withstand all sorts of sound waves, vibrations and other external sound which has not been generated by her body and null them out upon contact. This way, if someone were to produce a massive burst of sound across her, Sing may bat an eyelash, but she wouldn't suffer any sort of hearing loss, the damage done to her will be barely visible; if effective at all and sometimes she may even be able to absorb the sound to make herself temporarily stronger.

While this Sound Consumption does not have permanent effects, nor can it raise her tier; it can be directed to make her attacks faster, stronger and more potent than before. Or, she can redirect it into the field of Uchu Eku to make it's field of range stronger or to give it more fuel to sustain itself in battle so that she can use it for prolonged periods. Which is why it's generally a bad idea to use most types of vibrations or sounds against Sing; as it can serve to either make her stronger or have little to no effect at all against her.

Furthermore, once a sound comes into UE's effect, it's possible for Sing to even convert it into different energies; albeit their life-span is short. For instance, if a certain vibration came into contact with Sing through someone raising their spiritual pressure, Sing could take that, alter it into Chaos Energy and either empower herself or use it against them. Which means in addition to that, Sing may also be able to convert it into other areas of energy she has knowledge of: such as Spiritual Energy, Raw Energy and the four basic elements of Lightning, Air, Wind and Fire; and potentially moving over into Kinetic Energy as well.

☩ Otherworldly Hearing: Given the effects done to her, one would assume she'd have some sort of enhanced hearing -- and they'd be correct in this case. Thanks to Uchū Eko connecting Sing to the sounds of the universe, she can potentially hear different sorts of vibrations and sounds for miles on end. In fact, if Sing were to focus hard enough, she could even hear sounds from the Soul Society; despite being in The Kokuryuteshi's Universe. Which implies she has a form of dimensional-hearing and a filtering system set in place in order to decipher or cancel out specific sounds. However, she has stated that doing that is extremely taxing to her brain; as it can cause immense headaches, strain to her focus and eventually burn her out. Which is why this form of Augmented Hearing is mostly restricted to a city to country base.

So while fighting, most opponents can be given quite a surprise when they find she is extremely difficult to catch off guard. Due in part to being able to selectively choose what layers of sound she wishes to hear in, zoom in or out into different areas and essentially locate the source of noise within a area; Sing is generally on extreme guard and can be quite the pest to deal with. Therefore, more direct approaches are recommended when fighting her unless one can heavily distract or disrupt her focus; as this takes a bit of concentration on her hand to perform, but she has trained herself internally over the years to handle it better.

More dangerously, on a spiritual level, Sing has even stated she has the potential to feel the frequencies of a person soul. What she means by this is that she can sense disturbing patterns within a persons energy, feel any sort of modification to the area based on some sort of special ability and essentially hear sounds on a metaphysical plane. Making her able to tell more easily if the opponent is baiting her into a trap; such as if there was an invisible barrier, chances are Sing could sense the changes in frequency within the area and avoid going into the area by her detection. Making this level of hearing extremely useful in battle as she can hear vibrations, sounds and other anomalies on a very complex low beyond the normal hearing range; even amongst those with super-sonic hearing.

(Note: If it weren't clear enough, some of the more advanced features of this can be quite draining on her focus and brain. So bare that in mind)

☩ Sound Based Teleportation: Sing is very capable of travelling through waves of send. By using her Otherworldly Hearing, she can filter out the waves of sound, pin-point a location and deconstruct her body into sheer sound for moments at a time in order to ride a wave of sound to that vicinity. It's even possible for her to do this for other beings as well, but it becomes increasingly difficult when you factor in the number of people she is transporting or the mass of them. Which is why Sing generally tries to avoid doing that, as it can cause great strain on her mind, body and energy if the numbers and size are large enough. She also cannot limitlessly do this in a short-range, as much like a runner, she'll essentially tire herself out if she goes too fast or repeats it too much in one post.

Offensive Effects

☩ Solidification: This is a rather simple trick Sing has learned to do with her sound control. Essentially, by taking Sounds in the vicinity or ones generated by herself, Sing can produce an assortment of varying equipment, weaponry or extending body parts from herself by solidifying the sound around her. For example, if she produced a loud enough sound from herself, she could generate a dense shield across herself to block an attack. If she wanted to fool somebody? It's very likely Sing could produce a duplicate of herself through this method as well; though it wouldn't be anywhere close to Sing's actual strength unless she sacrificed more of her energy into it.

What's notably special about this ability, however, is that if it takes the sound from something with a peculiar effect to it; it may be able to mimic the source in question. To be more objective, if Sing were to take the sound from something such as a energy attack infused with fire; than she could attempt to siphon off that sound and generate a blade which is infused with sound and flames. However, these don't generally last forever and are often used for one battle only. It takes stronger energy to make something long-lasting; and some things cannot be copied if they are beyond Sing's power or they put measures behind them to make them unable to be duplicated so easily.

Vibrokinesis: Essentially, this allows Sing to otherwise generate, control, manipulate and sense all sorts of vibrations on a physical and metaphysical level. What exactly does this entail, though? To give an example: if someone were to shoot off a massive projectile towards Sing, she could easily generate enough vibration around it to disintegrate it before it even makes contact with it by vibrating the matter to shatter into pieces. If applied to the metaphysical, it could even do the same to a cero-based projectile by applying the same to it's energy. Which is why most tend to approach her with caution when Uchu Eku is in effect.

It's also very easy for her to produce destructive Earthquakes with it, as she can rip apart entire cities once her mind is put towards the directions of manipulating the seismic plates beneath the Earth itself. It also holds great potential for producing destructive Tsunami's if she is fighting in a coastal area, generating horrid landslides or obliterating entire islands off the map in other cases.

More than that, in terms of defense? This Capacity of Uchu Eku is rather potent. For it can also been used to push or reflect all sorts of objects of physical, spiritual or abstract concepts away from her by tapping into to either the metaphysical, physical or spiritual realms. Which means that if Sing manually activates it, it can have the potential to block out or reflect physical strikes, magic strikes and many types of special abilities. Ultimately making for a very strong durability in her case; for if she went purely defense based, it would take quite awhile to pierce through these defenses if they were ramped up by her power.

In more advanced cases, if she feels the need to evade or escape an area, she can even vibrate her body to the point of becoming intangible by vibrating her molecules to the point of phasing out of this dimension by syncing herself to the vibrations of the world around her and exiting herself from it; creating a form of Chronolock where Sing can essentially exist outside of space and potentially time itself; but she generally cannot affect anything while in this state and CANNOT attack in the same time within a post. Meaning, that if she activates this, it's primarily used to evade, buy more time, think out a plan or escape a nasty circumstance.

It's also worth noting that she can even do this to objects or living beings; but when it comes to actual characters, they will eventually sink back into the universe after a bit of time. Rather it be a few post, or a few threads. As she can use it as a source of sealing to either defeat an enemy or buy further time. They can also be aware of it, as unlike herself, there is usually some sort of glow or sound heading towards them to push them back and they can have the potential to either dodge, overpower it or try to counter it. As it's effects are never absolutely, nothing in this ability is absolute in nature. But it is much easier for her to push objects or attacks out of space and time, as opposed to people.

However, with each strike that is released from this ability, it takes a bit of energy away from Sing. So she tries to avoid going overboard as it can tax her out heavily after awhile. Which is why this power needs to be used with sensibility, purpose and direction.

☩ Sonokinesis: This is the trait that comes most naturally to Sing out of everything else from her Seishin Buki. With this in her arsenal, Sing has the capacity to generate, alter, copy, silence, warp, strengthen, weaken, speed up, slow down and manipulate most things in the area of sound. These have lead to a wide range of effects. To give a simple illustration? One of the most basic things Sing can do with her Sonokinesis is unleash a defying burst of sound through her move, augment the strength of it and turn it into a raw physical and high-speed force to flatten and decimate an entire force of men before her.

As it's very likely that even through that alone, she can take out entire small armies if enough power is generated behind it. Making her a very lethal threat on the battlefield when she decides to get more serious. To further make a point: in that example, it is even possible for her to become more precise by syncing her filtration system into the mix. By pinpointing the exact locations of her enemies sounds, she can then direct that burst of sound towards the appropriate location and fixate the damage in a guided path; making sure her own allies or property isn't damaged in the process and weed-out any hidden moles in the area.

More applications to this ability is that on a metaphysical level, Sing could even attempt to weaken an attack. How so? By applying UE's field to it, she could sync the attack together with how strong the sound is. Henceforth, by weakening the sound, it can essentially weaken the attack until it's critically limited or negated altogether by Sing. It's also possible to apply this in reverse as an enhancement to either herself or her allies as well; but each one can take it's toll on Sing as well. It's also possible to apply this to living beings, but she seems to have a harder time focusing on them and they are harder to cripple than objects or attacks. Which implies it's often hard to perform because the user will usually counter it if she doesn't make sure to damage hard enough. Though, she can easily flatten most types of NPC's this way.

And, in terms of effecting people once again, it's also very possible for her to induce confusion, vertigo, disorientation, nausea, vomiting and unconsciousness through a distortion of one's equilibrium. She has been noted to easily render large bodies of people in a daze by ripping apart their sense of balance from the inside-out.

Though, a more sneaky method to use this power is to utterly mask all sound from her and hide her spiritual energy. This makes it extremely difficult to trace or track Sing unless one had visuals on her either in the air, or through other sorts of supernatural senses. This can even be applied to her allies, and can make for very swift invasions if planned accordingly; as she can encompass a large body of people within this effect if enough focus and willpower is summoned from Sing.

And on the note of determination, if Sing is feeling nasty enough, it's even possible to produce a Sonokinetic Layer around her. When this is activated, it can engulf Sing's entire body within a defense layer of sound. It may sound like nothing new, but when activated, it can automatically deflect most types of blunt forces, a large range of attacks and projectiles that come into contact with it without Sing having to think much; provided they don't blow through this form of defense. However, when dealing with that, she tends to only keep it up for limited periods of time as it can be a bit draining or taxing on her body after a while when it comes to the deflection function. Hence why she doesn't keep it activated all of the time.

More importantly, it can produce a form of sound-based armor capable of shielding her entire body; potentially even being infused with vibration to make it that much stronger. It is than that she can control the form, shape or amount of energy that is vested in it to use as she wills on the battlefield. Such as using this armor to augment her durability by creating multiple layers of sound across her body automatically to make it further difficult to make a dent in Sing's defenses. Or, she can extend the range of it to knock out a large body of people by creating a massive arm produced of sheer vibration and sound. And if she is feeling gutsy, this can be extremely dangerous if she decides to infuse it with different elements or energies in the air; such as combining it with electricity or Chaos Energy.

Luckily, as with most things associated with UE, this ability is limited heavily by physical drain, mental drain and energy based drain. Meaning the more hard she tries to hit back, the more strain can occur over time with this power. As these attributes of her Sonokinesis or not unlimited or absolute in nature by any means.

☩ Universal Sound: While Sonokinesis may be Sing's most favorite feature, Universal Sound is the strongest. By harmonizing herself with the space around her, she can create a connection to the field in which Uchu Eko conpmasses. From there, by adjusting her headphones, she can mentally adjust herself to cause various changes to the environment and alternative reality itself by tapping into a large variety of internal sounds she has encountered over the years and generating the different melodies to produce it's affects on to the world. An example of this can be that if she has heard the sound of an F5 Twister, than in turn, by over-viewing her memory banks, she can then bring down a tornado upon her opponent. Or if she has heard the sounds of an explosion? She can create explosions seemly out of thin-air by reproducing the frequencies of one throughout the area of effect in UE's Field.

It's worth noting, however, she does not use this to duplicate, copy or otherwise clone other peoples techniques, abilities or powers. Instead, she simply observes them, monitors their sounds and attempts to produce metaphysical construct that use similar values to create a variety of effects. Such as if a person studied a persons coding on the computer long enough, they would be able to than create similar, but different functions after mastering the compensation behind it and then create new operations once they had fully gained an understanding it. This is what essentially occurs with Universal Sound.

A large database of sounds are stored within Sing's mind and she can connect herself to the vicinity in which UE Field is active to unleash them upon the world in her subjective reality. Making it one of her most lethal abilities; as it's potential is very high. And being that she has trained under the likes of her father, the inventor of Burning Star, she studied under him long enough to even apply similar patterns from that ability to incorporate into herself. Meaning that she most definitely has some form of reality bending under her belt from him. The full extent of Universal Sound is even unknown to Sing, but she hopes to learn it's limits, capacities and strengths in due time as she develops it's chamber of abilities overtime.



THE SKILL SHEET SECTION


RACIAL SKILLS

Chaos Warp:
Master

Chaos Energy Skill
Grand Master

Gem Creation:
Advanced

Chaos Fighting Style:
Master

RACIAL SKILLS

Chaos Warp:
Master

Chaos Energy Skill
Grand Master

Gem Creation:
Advanced

Chaos Fighting Style:
Master




Last edited by [THEFROST] on Mon Apr 18, 2016 11:29 am; edited 12 times in total

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Tue Nov 05, 2013 5:35 am

Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  JCRrxmK


DAUGHTER OF KIN


SING IRAMASHA

Artist: N/A - Song: N/A - Word Count: N/A


FURTHER INTO THE DEPTHS OF SING




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________


❋ Sacred Melody: Going along nicely with some of her vibration and sound-based capacities, Sing has the natural power to find strength in music. That is to say that she can forge different types of effects based upon the type of music she listens to or plays and can find overall enhancements by the melodies which are generated by Sing herself or ones produced by others. To give an example of a few basic illustrations of this power? If Sing were listening to something fast-paced in her headphones, there is the potential she could gain a speed augmentation for a duration of time until her body feels the strain settle in or her energy forces her to stop. Or if she were to produce her own melody into the universe? Sing could potentially alter the world in this way by associating the Musical Empowerment with her connection to Universal Sound. Such as if she crafted a song or tune which had the capacity to paralyze others, while another song could yield the probability of hypnotizing and attempting to put those under slumber.

This power ultimately works by her affinity for sound, but taken in a different artform. Any forms of energy which enters Sing's body is firstly used as fuel. Once a source has been discovered, she'll than use it as gas for this special power. Going through an archive of different beats, melodies and songs stored within her heart or in her collection of music; these can be brought up into the world internally when it comes to her body or externally by affecting the world. For yet again, her subjective reality is at work producing an alternative field of range for her Musical Empower. Requiring no real effort on her part, the area of effect for Sacred Melody can range anywhere from ten feet to roughly a thousand meters depending on how much fuel it is has to generate this unique force into the world and how much focus Sing is able to put it into this power.

Therefore, with all of that said, you will see some of the abilities which Sacred Melody has granted Sing below and understand some of it's applications better in the sections below.

Sacred Melody Passive Applications

❋ Voice & Sound Replication: Most types of sounds or voices that Sing has encountered can easily be reproduced through Sing's vocal cords as a result of Sacred Melody. This is achieved by accessing the different soundtracks stored in Sing's mind thanks to Universal Sound. From there, once she has chosen an audio that she recalls, Sing then uses trace amounts of Chaos Energy that even the more keenly aware spiritual user would have a hard time detecting and modifies her voice as need be. This can result in her mimicking the voices of most people she comes into contact, reproducing entire songs with the utmost excellence and even replicating various sorts of vibrations. An example of this is that she can use this passive effect in order to deceive others; such as if she copied the voice of a Gotei 13 Captain, projected that sound across an area and tricked their men into following devious orders set-up by Sing. Or, she could stun an entire area by reproducing the sounds associated with war; varying from explosions, blasts, screams of pain and so forth.

❋ Emotion-Link: This is another passive that can generally be produced by Sing with relative ease. If she were to produce sounds, songs or melodies which otherwise had emotional effects behind them; she could attempt to calm, scare or rev up someone's willpower with Emotion-Link through her music. An example of this? If she generated a humming noise that radiated the emotion of "Strength", she could attempt to remove doubt or fear from an ally if they were to allow this melody to seep into their mind and make them stronger mentally and enhance their will-based powers. Whereas if this were used to invoke "Terror", Sing would attempt to shatter their psyche and make them become overwhelmed with fear in a battle of will's. However, this can be blocked out by barriers or if someone has strong willpower on par or stronger than Sing's. Additionally, other Sound Users can be extremely resistant against this effect when Sing attempts to use it on them during battle. It certainly makes her deceptive personality traits stronger if she were to attempt to enchant those she tries to persuade towards her favor.

Heart-Reading: Sing has recently learned how to read the hearts of various souls that happen to approach her. Now, to be clear, this isn't a 100% effective rate. As in, Sing cannot read people's minds or any of that. However, what she can perceive is their intent. This is achieved by hearing the melodies associated with a persons heart, spiritual energy and responses physically made by their body. These three factors are usually what guides Sing into understanding what sort of aura a person's intent gives out. Such as if someone were in distress, there would be an utterly loud song which seemed akin to fear. Whereas if someone were attempting to lie to Sing, responses from their body twitching, radiating pheromones or heartbeat increasing could result in fast melodies that generated a nervous feeling; causing her to believe she was being deceived.

So, with all of that said, it's worth repeating that this does not work 100% of the time. This is because a person mask their spiritual energy or sometimes their body will not react in a certain way. Henceforth, this can throw off Sing's calculations and doesn't result in a truetype of mind reading. For it only gives her what sort of probably emotion, mental state or intention they have; it does not give them what they are thinking or anything of the sort. Therefore, this passive ability is used sparingly and she must determine if it's worth listening to her intuition or not when it comes individuals.

Sacred Melody Offensive Applications

❋ Melody Of Alterations: What is Melody of Alterations? It's an easy-enough concept to grasp for most. Considering she has access to the different melodies of the world around her through Universal Sound, and can unleash their songs to the world around her thanks to her Subjective Reality; MOA is essentially used to create preset or easily made songs for Sing to automatically unleash on the vicinity. To give an example, in Sing's reality? It's very possible that the likes of a snowstorm has a peculiar tone to it. After memorizing it, she can then add it's values into her reality and unleash back into the world in the form of something called "Song Of Winter". Or in the case of probability, it's even possible for her to self-generate something akin to "Song Of Miracles" in order to have a form of Chance Manipulation to attempt to increase the chance of something occurring within a small area.

However, it isn't without it's limits. Melody of Alterations generally takes a lot of power to impose it's stronger effects on the world. Something like calling upon a lightning storm would be mere child's play for Sing, whereas the more complicated effects that deal with the complexities of the universe could be more draining on her energy supply. More than that, she is usually only capable of using one song at a time per post. However, that doesn't mean she isn't unable to create "Remixes". When she creates a "Remix" she takes two or more different songs, infuses their tracks into a new composition and releases it into the world to have a multitude of effects. However, this is more draining mentally and can cause strain; so she makes sure each song is used appropriately. At most, she can infuse six different songs altogether at her maximum.

❋ Music Empowerment & Enchantment: One of the first features of Sacred Melody is that Sing is able to become empowered by the likes of the different tones of music in which she listens to and potentially even spread them to others in the process. By synchronizing herself to the overall sensation that is produced internally when she listens to different songs, a variety of effects can be generated that occur to her body. By using energy once again as a fuel-source and sacrifice, these augmentations can come in a wide variety of forms. To give an example of this? If Sing were listening to a song that was very inspirational, an artificial effect could result in her sending a burst of "Hope" throughout the area in order to enhance her allies. These could heal people to an extent, give them more energy to work with and potentially augment their bodies by two times. Whereas if she were listening to a song that induced "Despair", it may be possible to drain others of energy; but not for her to steal, only tire them out most faster than normally.

Therefore, with that much said, the effects can vary greatly from those two examples depending on the melodies which happen to enter into the psyche of Sing and how she intends to impose them out on the world. The limitations of this, however, are that it will usually exhaust her body to the point of outright stopping this ability if it begins to do too many heavy alterations in a row. Or in the terms of augmentations, they generally can only last three to six post before they have a three post cooldown before going applied again. Not to mention that even in the times they are in effect, it can still strain or damage the body if they aren't prepared or push themselves too far. In addition to that, it only works within the field of range associated with Sacred Melody or how far Sing can direct her energy to the affected targets.

Additionally, it's worth noting that Sing can release other abilities through her Music Empower. However, unlike doing them automatically, when she performs through her voice, they'll generally receive a stronger enhancement to make them more potent. Which ultimately makes the attack or ability in question much stronger when performed in this method of attack. As it has a similar effect as to when Shinigami are known to have much stronger kido when they perform the enchantments, versus simply calling out the number or not using an incantation at all.



THE PATH OF THE SEVERING WILL


POWER OF THE DEVIL IRAMASHA




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________

☩ Acceleration Burst: By accumulating a large volume of vibrations within herself, Sing can then engulf her entire body within Severing Will and use her body as one massive weapon. Often this is used i n rushes when she wants to ultimately overwhelm the opponent with raw force alone; as Acceleration Burst can use most of the techniques associated with Severing Will and they are dramatically augmented due to this state of activity. However, it can only last one to three post before Sing needs to have a cooldown for roughly two to three post.

☩ Bellowing Waves: By stomping her foot or hands on the ground, Sing is able to produce devastating shockwaves into the Earth that can turn a vicinity roughly the size of a city block into rubble rather easily. Depending on how much it is augmented, it can spread much further than that varying upon the different states and enchantments that Sing is under at any given time. Which means if it was heightened enough, Sing has stated that she can even cancel out weaker attacks by vibrating the energy either away from them or destroying it outright with the strength behind these vibrations. This can also be achieved by slamming her fists together to make it a tad bit stronger than if she were to use a single limb alone. It can be very useful for blowing away opponents as well or producing a makeshift repelling field in tight spots.

☩ Rapid Strike State: Otherwise known as RSS, this is a technique where Sing is able to dramatically increase the rate of speed in which her legs or hands release hits to the point where they are able to smash through most obstacles that get in her way. By utilizing the sound, kinetic energy, impact force and vibration; during RSS Sing is able to heighten her physical strength and speed by ten times her current state. This allows her to blind the opponent with her strikes, overwhelm them with the force and blow pass them with the utmost swiftness. Even those with supernatural senses could have a hard-time keeping up as Sing will focus her entire strengths into that one area until the objective is complete. This period can last for one to two post before she is forced to cooldown for another one to two post due to strain on herself.

☩ Splitting Fist: Sing is very capable of transforming her hands into a pair of destructive weapons rather easily thanks to Serving Will. With the extreme rate of vibration that occurs in her fist, she is able to use them as tools that damage and destroy on both a physical and spiritual level. A basic use of it would be to firstly pierce through an object. So if there were a wall in the way of Sing? She'd used Splitting Fist to simply pierce right through it. If it came down to something which was a barrier? A simple increase in force and a mixture of Chaos Energy will allow her to shatter the shield or attempt to create a opening big enough for her to burst through. Showing some of the dense impact behind this fist.

In more advanced applications of this technique, Sing can even attempt to sever the connection between a person's access to their energy reserves. This can be performed by finding the center of being somewhere between the chest and stomach area, punching it with the utmost precision and then releasing a wave of cutting force internally to sever the connection with their unique energies and attempt to either heavily cripple them for the fight, stop them from using their special abilities altogether until they heal (usually after the thread) or at least put a noticeable dent in them that makes it a bit harder for them to use those sorts of moves against her. The same can also be applied to dispelling various sorts of attacks or sealings as well.

☩ Severing Wind: Serving Wind is essentially a sub-technique Sing uses if she cannot make a direct hit on someone. These can have the same attributes of Splitting Fist, but it's achieved through punching the air around her hard enough to generate a slashing wind of sorts. It can be quite effective for cutting through armies with relative ease, destroying different types of buildings and essentially mowing her path if opposed by a large gathering of people. If combined with different attributes by Sing, these can be further lethal. Such as if she combined this splitting wind with kinetic energy in order to dramatically increase it's offensive power with an elemental edge. Or if she were to infuse it with her sound to have it enhance her Severing Wind to the point of taking out large-ranged areas similar to entire city sections; along with whatever effects the sound or vibration in question had from her abilities. It's also capable of being projected from her legs as well.

If augmented heavily enough by her Chaos Energy, Sing has even stated that she has the potential to cut through sections of space itself. The reason for this is that it will allow for extremely high volume of cuts to be made before the dimensions around the opponent repair itself very swiftly. However, within that the time, she can reach upwards of twenty thousand strikes with the intensity of her Splitting Fist at full or dramatically enhanced power. It's also holds the potential for her critically damage pass a person's defenses because of the large volume and quantity of hits on their person. Making it rather useful for breaking through different types of shields, hierro's and so forth.

Luckily, this practically technique cannot be spammed; as it takes a decent sum of concentration and a bit of her Chaos Energy to give it edge. So, at most, it can only be used two times per post with a one to two post cooldown depending if she used it once or twice.

☩ Pulsating Death: This is a technique Sing uses if she wants to kill somebody in a direct fight. If she has an opening, she will then rush the opponent and attempt to place each of her hands in front of her ears. From there, she'll gather an extremely high volume of vibrations and then give a heavy punch that is meant to direct this accumulation of vibrations into a precise burst into their ears. If they are able to enter, and if Sing isn't stopped before hand, she'll attempt to implode their skull or brains by having the vibrations expand rapidly or collide with each other once they reach the center of the opponents head. Resulting in a swift death more often than not.

However, to prevent auto-death, it will generally take one post to take effect after making contact. In that time, they will feel something swelling in their head and they'll need to figure out a way to expel it or die. In this time, they can still suffer some sort of damage such as headaches, blindness, broken skull or nose, brain injuries, bleeding out of the ears/mouth/nose/eyes/head or facing unconsciousness. As an extra bit of warning, this can be applied to other body parts as well. Such as limbs or the heart and the same effects would apply. But more often than not, she generally aims for the head. As that usually kills most creatures she comes into contact with.

Luckily, it comes with a ten post cooldown and will generally only use it two to three times per thread before she stops using it. Some may also be able to prolong it's collison by two post depending on their durability.

☩ Nulling Strike: This technique requires her to be in utter harmony with herself and the attack, but provided these two criteria are met, than Sing can disrupt the flow of an attack and negate it. To illustrate this, say a cero was shot off point-blank towards Sing's direction. She could attempt to synchronize herself with the frequency of the attack, and then attempt to neutralize it either by tapping, punching or releasing a wave of wind at it with the appropriate wavelength of vibrations in order to cancel out it's path of energy and attempt to either stop it outright or dramatically weaken it. This can only work on whatever she can touch or have her Severing Wind come into contact with.



THE TRUE ORIGINS OF HER POWER


THE DEVIL OF SOUND PERCEPTION




Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  8i0n

____________________________________________________

☩ Class Title: The Devil Of Sound Perception

☩ Class Power - Subjective Reality: Going even deeper than the roots of Universal Sound, Subjective Reality grants Sing the gift of being able bring about her alternative reality to the surface. And as misleading as the title is, the true origins of this power leave within the depths of Cognition itself. That is to say, Sing essentially projects her Perception into the world and thus supersedes the likes reality warping altogether; as the likes of that ability is even based on one's consciousness. Subjective Reality allows her to control, generate and manipulate various forms of interpretation through this Iramasha Class. It's something that even her father stated was a rather unsettling ability; as it holds the capacity to even reject or create new beings into existence or non-existence altogether if pushed far enough.

Once Kin was able to understand the likes of her Iramasha Class, he thoroughly explained to her that the foundation of her Iramasha Class is one of pure reality. When her form of Precipitated Reality encompasses itself within our understanding, or enters one's point of view in other words, it fundamentally encompasses the concepts of time, space, probability and other perceived notion of existence on a physical and metaphysical scale to those whom she engages battle with. Granting Sing to be able to take her powers to the grand extents to which they have gone through over the recent months through Kin's perfected training of his daughter.

To give an illustration of what this aspect truly means, say one is in the area of range around Sing's Subjective Reality. If they were to attempt to negate her attack, sure they may be able to negate a decent deal of it, but through controlling it's perspective; if she is fast enough or detects the negation taking place, she can make an attempt to null that aspect of the target's attack and holds the potential to either cancel out the negation or limit it's effect on her. Or, in the case of someone attempting to manipulate reality around her, if Sing were able to sense this taking place; she could release her Subjective Reality and disrupt the opponents perception around her body in order to lower the effects on her or negate it altogether.

In these two examples, you can see where this is going. Most fundamental laws that can be perceived on any level or ones that Sing herself can perceive are affected by her Subjective Reality. However, this does not mean it's absolute in nature. For it's incredibly powerful, hence hard to maintain at time when pushed to Sing's limit. So there is obvious strain on her body to prevent her from misusing it in the first place. This can be done by headaches, physical exhaustion, dizziness or a general sensation of feeling "unwell" in Sing's body. Furthermore, she is often only limited to being able to perform moves related to Subjective Reality two times per post to prevent overworking herself. She may crank it up to three or four, but these are only during critical moments and come with a two to three post drawback after that point of going beyond the two move limit.

In addition to that, she must be very careful not to disrupt the balance around her; as if her own focus is not in tune with her power, it can backfire and damage Sing entirely. This happens when she is under critical damage or suffers some form of trauma mentally. Lastly, each move that is made with Subjective Reality can usually take a good deal of energy from her if she isn't carefully in how she utilizes this power. Henceforth, it is something that is absurdly beyond most people's understanding, but is not something to be so carelessly used by Sing. For if it is abused, than Sing shall suffer dire consequences as a result.



THE SKILL SHEET SECTION


RACIAL SKILLS

Chaos Warp:
Master

Chaos Energy Skill
Grand Master

Gem Creation:
Advanced

Chaos Fighting Style:
Master

RACIAL SKILLS

Chaos Warp:
Master

Chaos Energy Skill
Grand Master

Gem Creation:
Advanced

Chaos Fighting Style:
Master




Last edited by [THEFROST] on Mon Apr 18, 2016 11:25 am; edited 6 times in total

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Wed Nov 20, 2013 1:30 am
Sing Iramasha [2013 OVERHAUL] [MAJOR UPDATING][APPROVED 0-2+]  Tumblr_mrl9k3WLnY1rx1dfqo1_500

Get it together slowpoke!
This has spent a lot of time here, therefore it's moved to OLD wip! Don't worry, when you're done, you can just post Here in order to get your file checked! >W<
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Wed Nov 20, 2013 1:32 am

«DON'T TOUCH THIS APP RIGHT HERE»

I'm moving this back into the active work in progress section because I'm very much still working on the application; other matters have taken my attention however. I'll be finished with this in the next few weeks depending on how much muse or time I get for the project. So don't lay a finger on it.

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Wed Oct 01, 2014 11:25 am

«MOVING THIS CHARACTER RIGHT NOW»
Due to an update on the board, I am going to go ahead and move this character into the Approved Devil Iramashsa section to better classify other sub-races of Iramasha.

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Fri Mar 11, 2016 5:13 pm
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✧MOVING THIS CHARACTER✦


I'm doing some rearrangements with my characters and I'm planning to move this profile into the NPC barrel for now.



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Mon Apr 18, 2016 11:37 am
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✧MOVING THIS CHARACTER✦


I've altered the deal and I'm moving her back into my active character cast for this season of antag'ing.



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