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BladeThe Hybrid King- Joined : 2011-06-06
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Asoka Tenyu - The Goddess Of Time
Thu Aug 08, 2013 2:49 am
 Asoka Tenyu Goddess of time  The Basic Information Basics of the stained • Name: Asoka Tenyu • Titles: Head Commander of Force Feedback • Age:Twenty Six (26) • Birthday: October 22nd • Gender: Female • Race: Human Hybrid (Demon) • Blood Type: O Negative • Affiliation/Rank: Leader of The Bureau • Relationships: Unknown Currently • Theme: • Colour: Silver • Quote: "I said I'm here to keep humans alive, what the hell do you take me for, some Babysitter?!"  Personality the inner-works of Asoka • Personality Of The Goddess "The assumption of others is something that someone must live with, and if you are not fully capable of knowing others will assume whatever they find he need to assume, you're in for a world of hurt." These are words of a woman that has lived for no more than two decades, being born into the 24th century in its very last years, being no more than twenty six years of age. This female knew not of the world around her, she simply knew that if you did not expect people to betray, lie, cheat, steal, or down right hurt you, you're in for a rude awakening. Asoka does not take kindly to those that are simply there to manipulate and use her for abilities and position, along with not caring for those her are not within her own circle of "acquaintances". What this means is that if you were to be in trouble and were not someone of the human race? Asoka would not go directly out of her way to save you from danger. Of course, she was not racist towards spiritual beings as some humans that reside on earth are, but she does not put them before herself or her fellow humans due to the years she grew up where spiritual beings did nothing but control the Human World for their own gains. Asoka does not believe in making friends most of the time, friends are something that someone can be black mailed with. If someone were to simply take her friends or relatives, it was entirely possible that Asoka would give in to some type of absurd demands and end up screwing both herself and possibly the human race. Now, this does not mean the woman will not be friendly and talk with other people that try to engage into conversation with her, but when it boils down to the cold facts, Asoka refrains from becoming too close to anyone due to the simple fact that it is not safe for her or her organisation. Another instance of how Asoka treats others is that when it comes to not being within her org and being a subordinate to her, she will treat you as if you're a normal citizen. Those that do not have some type of direct connection to the woman whether it be through family matters or through the idea of her Organisation The Bureau, Asoka will simply shrug them off as if they were not of the most importance to her, which in fact they are not. Now, if you were to somehow become intimate with this woman, which is highly unlikely, she wouldn't see you as such an outsider to her own self. She's a woman with needs, she can't lie about such a thing but when it comes down to the nitty gritty of her opinion on the world around her, it's that she doesn't care about anything that doesn't meant the advancement and betterment of the human race as a whole. She believes that humans are more important than others percieve them to be and she WILL make it apparent that they are here and within their power to get what they need and deserve. • Sexual Orientation While usually most people are dead set on the type of person that they are attracted to and who, or what, they wish to be with, in Asoka's case she has never felt types of feelings that are akin to sexuality or a type of sexual need she has. Along with the fact that she was blind for what is now over half her life span, Asoka has never really looked at both men and women in a sexual way. She could never really.. look. With that being a fact, at this point, the time Asoka has been able to actually see, she has realized that she doesn't look at others in a very sexual way, but if she finds that you are attractive it wouldn't be odd of her to note that. It's not that she's a Bi-Sexual, it's that she's been given nothing but personality and voices to go off of for years and years, why would she start judging her urges for things when she doesn't comprehend it herself? • Appearance Of The Goddess Having an almost red-coloring to her here, Asoka sports a lengthy set of hair that travels to the small of her back, colored a bright auburn shade of brown. Usually wearing a dress shirt, the woman can be found with a brown over coat that rests atop a white dress shirt, a red tie can be found on most occasions dangling from her neck very loosely. Aside from the occasional dress change, Asoka wears a pairing of leggings that are rather see through, showing the pale of her legs with a pair of shorts that barely reach past her groin. Along with that she has a belt fastened around her waist at all times and two earrings that contain pearls in both ears. Two odd features that could be pointed out when you look at Asoka is that she has a scar along the right side of her face and that her eyes contain a cloud like substance, as if she were blind. Her eyes are a bright shade of purple, ranging to a dark purple from time to time. With a small nose, the woman has quite obvious curves when it comes to her upper body as well.          Natural Side Augmented Sight: Due to the multiple surgeries and research moments within Asoka's life, she has obtained an augmented vision compared to any human that has been born in Karakura's time. Her sight has been amplified to allow her to see beyond a normal humans sight, even if they were of the best in the world. Along with that, she has shown to pick up on small features that occur within her eye sight almost instantly, pointing out things such as a leaf falling from a tree, a person lying, anything that would show a difference in appearance for an object or person she can pick up on almost instantly, allowing her to catch things other may not be able to. This also allows her to focus on specific areas or people, whether the world around her is being altered, she will stay focused on this focal point while still being able to catch the actions occurring around her. Strength Beyond her Appearance: Opposed to what her appearance may show, Asoka has been shown to express a high amount of physical strength and endurance compared to others of her size and stature. Expressing strength strong enough to leave dents metal that have coated the cars and buildings within Karakura, Asoka has honed her body and mind to a point where she is able to endure beating after beating, her body being a "Shield" of sorts. To put it in simple terms, Asoka has strength beyond that of many humans, if not other spiritual beings that have been able to reach a high peak of strength. She can dent floors and walls of concrete without much force and could possibly even effect Seki-Seki stone if she were given the chance to do so. Augmented Senses: Just like her Augmented Sight, Asoka has had a ludicrous amount of surgeries held on her body even at the young age of twenty six, each of her five senses being amplified to a point where she could sniff out almost any scent, she could describe the feeling of another's skin in great detail, she'd be able to taste the true essence of the food that sat in her mouth while she ate. In basic detail, Asoka's senses are to such a heightened level that most humans could not compare to what she was capable of in the area of sense, her overall power and augmentation in this area reaching bounds that few have ever seen in their own life times. Demon Heritage Access: Due to Asoka being born from a Demon Mother and a Human Father, she can be considered that of a half breed. With that being the case, Asoka can access her Demon Half in certain ways when it comes to both her abilities and powers, only being relevant in her third ascended form that is based around bother her demon and human half. By being linked to Kurinu, her past self, Asoka is able to access the demonic powers that the female has and then manipulate them to her own will to match her time powers and current body, showing that she is very competent in terms of being able to access that which is not akin to her natural body and appearance. • Powers: Control Over Time: As the title of the Power states bluntly, Asoka has the absolute power of Control over Time that has effected both her body and objects that she has come into contact with. While in her normal, base state, Asoka has the ability to manipulate the time that is directly effecting her body both in terms of mind development and physical development. In a mental state, this Control Over Time allowed Asoka, at a young age, to amplify her rate of learning and reaction times, allowing her intelligence being that of someone who has lived for hundreds, if not thousands of years, compared to that of a normal twenty six year old's intellect. This has also allowed Asoka to take her capability of processing information and retaining a large amount of knowledge to a point where she could rival almost anyone that were to challenge her intelligence. This shows how ludicrous Asoka's intellect has grown compared to those around her and the world around her in general. On the other hand, Asoka is able to augment the speed that her muscles are able to develop and can eve change her appearance according to specific time periods within her life and previous lives. This ability is known as Chrono Evolution and can be found underneath the powers section within Pure Abilities. Alongside this Chrono Evolution however, Asoka is able to manipulate how fast and hard her strikes are able to be due to the fact that she can manipulate the time directly effecting her body. For instance, if Asoka were to speed up the time that controlled her reaction timing and attack speed while also intensifying the time of the momentum that builds up over a certain period, she is able to do things that were super fast yet hit as if they've been filled with the momentum of that of a tank's missile, a helicopter's gun shots, anything that had an intense amount of momentum within it could be compared to the punches that Asoka can throw with this ability. Limb Manipulation: A power that Asoka has obtained via her ability to access her demon heritage, Asoka has been shown to manipulate her limbs to a point where her body; whether it be her arms, hands, feet, legs, or any other part, can become a sort of demonic form of sorts. By accessing the demonic energy flowing though-out her body Asoka can amplify the power that being held within her limbs and body in general, allowing her to manipulate their appearance in shape to a form that allows her to grow both in strength and durability. Being able to thicken the skin around her body and increasing the overall size or durability of her body, Asoka has expressed her feelings of this ability in a way that is odd to any demon or human. the durability that occurs is a type of "Hierro" like skin that can reflect bullets and allow her to take most types of blades directly to the skin without being cut, most of the time. • Pure Abilities: Chrono Evolution: Chrono Evolution, as its name may imply, is described as an ability that allows Asoka to “Traverse time”. It allows Asoka to manipulate the physical structure, appearance, and weight of her body in a variety of applications. Whereas Reverse;Rebirth manipulates things strictly according to battle situations or life and death, this ability enables Asoka to manipulate the age – in the physical sense – of her body. The most noteworthy fact behind this ability is that Asoka was originally a child when her rebirth occurred due to the unorthodox summoning that was used to bring her soul back into the plane of the living. In consuming Tajadol's power, Asoka’s growth accelerated exponentially, allowing her to reach the age she was originally set to be born as. Once this occurred, Asoka realized that perhaps there was a way to use this to her advantage and so—chrono evolution was born. Asoka knows, as well as anyone, that she died as a legend and that she was remembered by her closest friends and family, no one can mistake her for any other. Knowing of her revival would only cause Asoka to deviate from her goal – that is to defeat Kin in a battle with no one present. With this engraved in her soul, Asoka came to a unanimous decision with Okabe, that keeping her identity hidden would allow her to not only gain recon on certain individuals, but keep anyone from recognizing her on first glance. She can alternate from a child to a teenager by simply expending a small investment of reaitsu. Each alternation of her body allows her to take on different forms, the only similarity being that each form has red hair. Although it does not boast much use to anyone else, Chrono Evolution allows Asoka to go on reconnaissance missions, store up spiritual energy through consuming food in order to boast much better fighting capabilities in battle, and allow her to relax when she simply desires to leave the confrontation of war to someone else. The merit and demerit in this ability is that each deceleration of age is equal to a regression of techniques and abilities. For example, if Asoka accelerated her body into adulthood, she would no doubt reach a level where she has reached her ultimate apex of power. She wouldn't be able to hold this form for long, however, as she has not become accustomed to the power that she will eventually possess in the future. On the other hand, decelerating her age is far easier on her body. Although her body weakens each time she changes its structure, she is still able to fight, even as a petite little girl. Thanks to her peerless mastery over Chinese martial arts, Asoka is still a force of nature. She was born strong, which makes this come as little surprise to others. Although she wouldn't be able to use her time manipulation to its fullest extent, she could still land powerful strikes capable of immobilizing her enemies. In conclusion, though Chrono evolution is not praised for its merits in regard to offensive worth, it is a potent tool best fit for reconnaissance and restoring lost energy after tumultuous battle. Absolute Existence: Along with the powers that Asoka's time control over her own body give her, she is also able to keep a constant state of existence while being alive. What this means is that no matter what happens to Asoka, whether she be beat to a bloody pulp or shot, all injuries and effects that occur to her body that are not physical in a sense of touch she is able to revert. What this means is that most poisons and diseases in general have absolutely no effect on Asoka's body, while it does not mean she can simply revert the pain and damage dealt by physical attacks due to things such as them having touch capability causing it to be impossible. This ability is mainly to state that Asoka can not be diseased in anyway, virtually that is. Just because she is able to keep a state that allows her to never become diseased by reverting to the same healthy form each time she is in a battle or becomes sick does not mean there diseases out there that can't effect her. Something that was genetically created and mastered by scientists or enemies could possibly effect her, the disease itself would be the deciding factor of the ruling. Whether it was powerful enough or the effects had some specific notion to her absolute existence is when it would be ruled as possible or impossible.  History the past is but a dull dale • History:  The Advancement The powers and basic form Time Manipulator Release • Time Manipulator Appearance:            • Time Manipulator Powers: Field Of Time  The Application The powers of the second form Time Princess State •Time PrincessState Appearance:              • Time Princess State Powers: (Does your human get any additional powers from this transformation? For instance, if you had the power to control Fire in your base, could you control heat and magma in this state? Or would you gain something else?)  The Embodiment of Time The powers of the final form Time Queen • Time Queen Appearance:           |
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- BladeThe Hybrid King
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Re: Asoka Tenyu - The Goddess Of Time
Tue Aug 20, 2013 2:11 pm
 Asoka Tenshu The goddess of time  Part One Basics of the stained • Name: Yuki Kaizme • Titles: Tricera Espada, Blood of the Kaizme • Age: 3,456 • Birthday: December 12th • Gender: Female • Race: Arrancar • Blood Type: O • Affiliation/Rank: The Espada • Relationships: - Zefonse Kaizme (FATHER) • Theme: Youmu Konpaku's Theme - Mystic Oriental Dream • Colour: Red • Quote: "Yare, yare. What is this mess? I'll mop the floor with your face before we're done!"  Part Two The Racial Qualities/Sword Stances • Nukitsuke Nukitsuke is a technique known, more commonly to those of the Japanese martial-arts realm, as the draw-slash. The draw slash is, essentially, a single movement strike that is quite a prominent feature of attacking. By applying the right pressure to the areas on Yuki's feet, she is capable of maximizing the output of said draw slash to even slice straight through a person with a clean cut or a seki-seki stone. For example, this draw slash is capable of being used so fast that it can be seen as impossible for the eye to follow. She is capable of using this draw slash to cleave through opponents almost instantly, as well as a surprise attack. Nukitsuke isn't only strong, but once it is used with her Zanpakutō, it often can be seen to send off waves of pressurized reiatsu which is stored within her massive reiatsu bank inside of her body. This is a common technique used among swordsman, although once again, Yuki has been able to customize it to fit her will. Basically, this allows her, at will, to launch out virutal blades that are around twice as long, and wide, as her original katana's. This is used by infusing her reiatsu and the reishi around her and forcing it into her blade, so when the quick strike occurs/draw slash, it can replicate up to fifty different quick-draw slashes slicing out simultaneously in a ten foot wide and fifty foot area in front of her body. A powerful technique for her draw slashes, indeed. • Chudan No Kamae The stance in many Japanese arts, mainly used by warriors and Samurai who used a katana. The idea of this is that the user puts %30 of their weight onto their front foot whilst the other %70 is put onto the back foot, whilst hands are lifted up at placed the katana horizontally outwards, as if she was stabbing the opponent. This is a rather offensive technique from the Chudan no Kamae, allowing a range of stab like techniques as well as parries from upwards slices. This allows quick, and deadly attacks on the opponents within a moments notice. For example, if an opponent were to come running at Yuki, she would be able to let loose ten multiple quick-stabs from her sword before they even made it within striking distances. Not only this, but it allows quick low attacks on the opponent as slashes, allowing quick slashes at the opponent's ankles and lower body by simple moving her hands to the bottom of their feet, slicing Achilles tendon and other vital areas that may inhibit movement. Although she has added her own ability to this stance of sword fighting. Basically, when using the stabbing like stance, she is capable of striking out at least a thousand stabs in the span of five seconds, around two hundred and fifty stabs a second. This is capable of completely obliterating objects such as stone or even pierce straight through metal, often being able to shatter it in it's toughest state. This is how powerful this is, meaning that if used on an opponent at direct range; could prove to be that it could constantly stab them over a thousand times, often tearing up their insides with repetitive strikes from whatever sword she uses, mainly usage of her Zanpakutō. • Gedan No Kamae Gedan No Kamae has shown to be a quite an interesting stance. By placing her right leg forward, and her left leg backwards, she is capable of distributing her weight onto the back of her leg at around %75 of her total weight whilst the leading foot has been shown to have around %30 of total weight pushed onto it. This has shown to be a standard defensive technique used in Japanese martial arts of the sword. Gedan no Kamae allows herself to use an advanced power of this, however. Rather than simply letting Yuki use simple sword techniques to block strikes, Yuki can make even more defensive maneuvers here. Naturally, this stance allows Yuki to be able to defend the lower sections on her body and keep a good defense on the mid-section of her body. By twisting the sword in her hands, she is capable of spinning the blade in front of her body at blinding speeds. She can do this so fast that the long swords are generally seemingly able to deflect anything it touches by curving it off the blade. Generally, this is found to be possible on small items such as bullets or pieces of shrapnel. Not only this, but this is capable of being used to stop a bunch of sword slashes from making contact with her body. Not only this, but the twirling of this katana in front of her body can act as a shredding device; being able to clearly slice anything that comes within the torrent of quick-strikes that come within the distance of her blades. The distance of the quick-slashes in front of her body are around two metres, each slash is capable of bringing down a hollow in a single slash. Essentially, this is used as a defensive mechanism. However, it can be used as offensive when need be, slicing the enemy into nothing but tiny bits of diced up tofu. The maximum amount of times she can swing the lades before she loses coordination is around a thousand times, duration being at around ten seconds at total; making it a hundred slashes a second. • Shisha no suraisu Interestingly, Yuki has proven herself to be quite the amazing swords woman when it comes to the art of the sword. On many occasions, she has proven that she is capable of utilising these sword skills to take down enemies rather quickly, alongside taking down many opponents. She has proven, throughout her time as an arrancar, and even before she had actually died, that she is very capable of using a sword and has found it possible to even use her blades on almost impossible positions on her body. For example, she is capable of holding her katana's in her mouth, blades between her fingers are even as far as holding swords within the grasps of her open-bare feet. Her swordsman ship with her hands is quite possibly her best feature of all her forms, her skills with a blade proving to be prominent in many, many factors of her battle life. Yuki's enhanced swordsman ship has many applications throughout her lifetime, although the most notable feature of her swordsmanship as been proven in her Shisha no Suraisu. The technique, which is considered a natural ability to Yuki, Shisha no Suraisu is a powerful technique which has been used quite a bit in her time as an arrancar. Mastering the powers of this, Yuki has shown herself to be able to perform a different type of art; not simply based around striking with her sword. Basically, Shisha no Suraisu is capable of 'Absolute Constant Velocity'. The basic idea behind this swordsman ship technique is to use her sword strikes into attacks that cannot be blocked by conventional means, unless making contact with another weapon such as a Zanpakutō (weapon that is tied to the persons body, connected to them). The Shisha no Suraisu has been shown to be quite a powerful technique as once it has swung, it is capable of slicing through absolutely anything, even Seki-seki stone; which has been considered the toughest material in all spiritual realms. This is an inbuilt natural power to her, being able to transfer this unstoppable force into absolutely anything she touches. As for anything she touches, the effects of absolute constant velocity can last for up to five seconds, depending on the size of the object. For example, if she were to transfer this power into something the size of a building, it is likely it would only last one second. The basic idea of this, in short terms, is that once she swings her blade/uses her item, it will remain at the same speed no matter what target it hits; being able to blast through anything. Finally, this has to be considered as a powerful technique of hers. It cannot be used all of the time, it can only be used every second post. For example, if she were to constantly use this effect on an opponent to slice through them, not ad-hereing the single post waiting period which is required is capable of having intense effects on herself. These effects include coughing up blood, headaches, weary vision/eye sight or extreme muscle pains. This is dangerous to her being in battle as it can cause openings in her defence. This is quite a powerful, and yet destructive, ability too. Using this technique is quite a powerful one, and if not used rightly, it can also be used against her. For example, if she mis-cut with her swords, it could be possible that she could slice open her main arteries with extreme ease. Not only this, but she is extremely capable of making the enviroment around herself to be dangerous to fight in. Slicing buildings to the point where they're unstable, strees, mountains, etc. It is a extremely powerful technique that most people would find hard to best. Natural Side • In depth understanding of Hollow Arts
• Immense spiritual pressure It has been noted by Yuki in the past that her spiritual pressure has shown to be a rather intense and scary thing. As a powerful arrancar, she has proven that her reiatsu alone has been shown to kill weak-level hollow like creatures, similar to that of Starkk who has shown to be able to simply kill weak hollow creatures with his spiritual pressure alone. Yuki is also said to have a terrifying amount of control over her reiatsu, let alone the intense amount of it that is present within her. On many cases, Yuki Kaizme has been able to overwhelm opponents in her general vicinity with the storage of power inside of her. Alongside the ability to rain down such heavy reiatsu on an area, it would feel as if the gravity has shifted and in some cases, cause people to be pinned to the floor or even the decay of buildings being shown. Finally, there is the case of her spiritual pressure manipulation. She is capable of channeling her reiatsu very finely into specific parts of her body, into her hands and can make her sword strikes of punches much more effective; this has also been shown to be able to push into her feet, making kicks even more powerful than before. A powerful essence to have in many situations and fights. • Enhanced Durability Yuki's enhanced durability is nothing that should be taken lightly, her intense natural defense being nothing but absolutely overwhelming. As her defense is so powerful, it has been proven that she can withstand even sword slashes from opponents without serious injury and be capable of only drawing a minor amount of blood at a basic level, if the opponent isn't overpowered with attacks. Her durability is nothing to laugh at, alongside her reiatsu, which has also proven to be quite a durability boost as she can soften the blow from attacks by forcing her reiatsu into separate locations on her body. This is capable of stopping blows without having to rely on her hierro to stop strikes. She definitely could outmatch many people in terms of defense. • Super-human strength The super-human ideas of strength have come into account when Yuki has come into combat. The idea of her strength is based on her defense as well, her natural over-whelming strength seemingly more than enough to destroy and out-math opponents by sheer force. This, combined with her intense usage of swords, has proven to be quite powerful and can make intense slashes with her strength. Such things have shown to be able to cleave people in two, or even cleave buildings in two without the aid of her unstoppable movement. Not only this, but her sword styles proven to be helpful in the art of strength as well. Not only this, but while she might not be advanced amazingly at her hand to hand combat, she could very easily use the intense strength to throw loose punches or kicks at the opponent, often mixing brawler-styled boxing and street fighting into her sword play. • Unequaled Knowledge of Battle Yuki has been able to demonstrate, multiple times in her past, that she has quite a head for battle, being able to analyse and devise new and unique ways to take down an opponent rather than the head on approach. This knowledge also extends to techniques outside of battle, meaning that she is quite knowledgeable in areas such as setting traps, creating poisons or even coming up with plans before an assault on an area. Not only this, but she has shown that she is capable of setting up major defenses for different sites, being inclined and rather knowledgeable in areas such as advances electrical sciences, mechanics and even biology/chemistry; allowing her to create poisons and eroding chemicals together which can be used in attacks or simply as traps/defense systems. Something that shouldn't be taken lightly from Yuki, which people constantly under-estimate because of her physique. • Attack Speed In a similar fashion to her amazing draw-slash technique, she has been known to be able to attack at blinding speeds, that beyond which the normal eye could follow. Her sword strikes are extremely fast, and when combined with her strength proves to be a rather intense feature of he power. Not only sword slashes, but she is known to use punches and kicks which can travel at beyond that of many people's; being able to even crush people's bones under the intense speed in which they travel. Unlike most other people, Yuki has been known to rely on both style of sword techniques; both old (swordplay/art) and new (destructive force and overpowering). The idea of this speed helps both of these styles, allowing extremely powerful and destructive strikes while being blindingly fast, as well as that of the amazingly precise strikes of the old style, mixed in with the intensive speed. It becomes a rather useful tactic in the end. • Blood Crystallization The blood crystallisation technique is something that has shown to be amazingly useful in terms of fighting. The crystallization has proven to be able to harden and, obviously, crystallize Yuki's own blood; both within and outside of the body. For example, if she spilt blood over her body, say over her arms and it was running down her arm, she could harden that and force it to crystallize. Not only this, but once crystallizing takes place, she can control it into any shape she so wishes. The only pre-requisite for the crystallization to work, is that she needs to be touching her own blood to be able to make it hardened. This is also useful when used inside of her own body, meaning that just under the skin (for the first layer of blood closest to the surface) can become hardened and crystallized; proving that it's only a small amount. If too much is crystallized, it could very make her possible to kill herself but hardening too much blood. The idea of this is that it can add a hidden-armour like effect, and when the skin is opened enough; the blood won't spill out; rather it'll tear open a wound; but it'll reveal a hardened layer of blood armour. This is breakable, though. With enough force, it can be shattered and go back into it's original state of liquid. Finally, the thing that needs to be noted is that this can only be worked on her own blood. This means that any blood split on the battlefield of her own, if she touches it (at any location) she can hardened the blood and use it as a sword or set a trap of deadly blood spikes that are crystallized.  Part Three Zanpakutō and Equipment Equipment • Katana Storage The first thing that need to be noted about the abundance of swords she uses, is that they're all attached to her own Zanpakutō. Meaning, her sealed Zanpakutō takes the appearance of a many different type of Zanpakutō. Considering her proficiency with swords and weapons, she has been found to have a rather intensive collection of katana's alongside her own Zanpakutō. Not only this, but at all times, she has been shown to carry at least two swords with here even in social events. She has her Zanpakutō strapped to her waist held in a sheathe whilst a chain-like belt holding three personalized katana's on her back and another katana on the opposite side of her waist. First of all, her katana on the left side of her body appears to be green in colour; the entire sword being on of her most prized possessions. Each sword has it's own unique attributes to it, each sword having a unique power essence and can be used in a multiple range of ways in combat. First of all, the green katana, named Tamashī no kuchiku-kan (literally soul destroyer) has the a rather unique power to it. By drawing her sword, at will, she can activate the sword to glow a intense green, the green being vibrant in colour whilst radiating energy that is stored within it. In her possession, over all, she has over a thousand katana's in her possession; all of which are simply man made by herself. Tamashī no kuchiku-kan This specific katana allows her to use the power of sound manipulation. This is a rather interesting power to be stored within a katana, but each swing can generate sound waves from the blade and be able to cause enough shock-waves to tear up the ground and even shatter bones of humans. This isn't simply it though, this section of her sword allows the control over the pitch of items though. By performing a specific motion with her sword, whilst the green aura is active, she can amplify the sound within a certain concentrated area. By twisting her sword inbetween both of her hands then making a instant horizontal then vertical strike; the noise of an area will begin to amplify as much as she wishes. This allows the use of such things as sirens to amplify to deafen enemies, noises to become so loud they can cause shock waves and even disrupt the vibrations in objects/the air. Although, only she can use this power and cause the intense loud sounds. For example, she'd need to make a building to collapse or activate a siren herself to cause the amplification. If a person were to let out a wildly loud noise, it wouldn't be amplified and used against her. Although this can back fire and be used against her at any time. Even so, the sound manipulation is only on a small scale compared to most sound users. Mizu suto The blue Katana is, as one might have guessed, the ability to be able to manipulate the water that encompasses an area. When activated properly, the katana essentially is capable of turning even the toughest of opponents against themselves if they are a water user. The name of this katana is known as Mizu Suto, which literally means Water Strike in Japanese. Basically, by doing a motion similar to that of the green katana, Yuki is capable of now, by swiping her katana, controlling the directon in which the water in the area flows. All she has to do to activate the control is point, momentarily, the tip of her blue katana at the source of water then swipe with it. Once she has taken control over that body of water, she can control it until the blue katana is deactivated again. Although the downside to this is that she can only move and lift up to five tons of total water before it ends up becoming too heavy for her, there for not allowing her, for example, to pick up an entire ocean and drop it over a landmass or enemy to kill them. Although, there is one final thing. Although the water isn't blood, once she take control over it, she has been able to actually, solidify and freeze the water through the same technique that she does with her blood. Meaning, she can soot sharp shards of ice off and attempt to impale the enemy with a deadly strike. Hōkō seigyo The second to last katana she has spawned from her Zanpakutō has been noted as; "Hōkō Seigyo" which literally translates to direction control in English. Basically, this is a sword of interesting power. By activating this, a white aura controls the entirety of the blade. It appears to be glowing in nothing but a white energy of mist, but also allows a much more desired effect. By doing a motion as the last few katana's had, she is capable of creating a directional manipulation field around a foot around her white katana. The main idea of this, is that where she strikes her katana, she can alter the trajectory of any given item or weapon that comes into contact with this blade. This even works against a person. For example, if a sword were to clash with this, it could knock the sword back from where it cam from by altering the trajectory of the blade, or even making it swing to the side. Finally, when used against a bullet or something, she can swipe the sword in the general location as the bullet is close to her and even direct the shot directly back at the opponent. However, this only works once the white aura is active and still leaves her prone to sneak attacks. Finally, this only lasts for two posts at a time until a two post wait comes into account. Aka chinmoku The final katana that isn't directly her Zanpakutō is known as Aka Chinmoku, literally translating to Red Silence in English, allows a rather unique ability from it. Although, it is more of a hidden power rather than an overwhelmingly strong one such as the other sword powers. Basically, the sword has a false length. What happens is, once this sword activates, it glows a deep red in a vibrant sense. Although this is a weird power, it actually extends the blade an extra metre, adding an invisible metre of length onto the blade. However, this is the default stretch. For example, in a single swipe, she could be able to manipulate the size of the invisible tip to be at least ten metres long, only being able to be sensed through the reiatsu output it is giving off as well as touch. Although this becomes noticeable that there's an invisible sword strike coming as she swings from a distance. By using this, it can constantly vary the distance needed to strike, being able to constantly throw an opponent off of how much distance there needs to be to avoid the strike. Zanpakutō Sealed State • Sealed Zanpakutô: Yuki's own Zanpakutō has an interesting appearance, although it isn't typically of what someone would expect of a Zanpakutō. The Zanpakutō appears to be that of a Katana, rather simple (picture seen at the top of application) and it's seen to be a black and white bladed Katana. Half of the blade, and majority of the tip, appears to be coated in a black coat of paint with white and green stripes wrapped around each section, one at the tip; and one closer to the hilt. The handle itself appears to be a weaved, professionally, golden and black colour; the metal composing the handle as well as the guard a golden colour while the cloth wrapping it is black. Finally, at the end of the handle, there appears to be a soft white cloth which loosely hangs, tied up with a hair-tie just before the rest of the tail flows. The sharp-sided edge of the blade appears to be white in colour, although the blunt-side appears to be black. The scabbard of the Zanpakutō also appears to be completely black with hooks that attach if to her waist on it, white and green stripes appearing in the same location as they do on the blade itself. Finally, this isn't the only part of her sealed Zanpakutō. Rather, the four other katana's described earlier? They're a part of her Zanpakutō. Basically, upon becoming a arrancar, Yuki had become an interesting figure for the arrancar. She had her Zanpakutō essence put not only into one blade, but due to the power within herself and zanapkuto being so vast, separate bits were transformed into four other blades to balance out the control. Although, whilst the above katana's hold the power, the main katana (described above the paragraph) is the golden, green white and black katana. She uses that as her last weapon for sealed, often only attacking with that sword when she has become serious or intends to kill the target before her. Only being saved for a special someone who manages to fill that slot. • Racial Abilities: (Explain the several abilities an Arrancar know. These include the Cero, Bala and sonido etc. If you so wish, leave out ones if you do not want them to know it.) • Unique Abilities: (Explain any sealed abilities you know. For example, Ulqiorra's eye ability.) Resereccion • Resereccion Name: (What name does their resserecion go by?) • Resereccion Release Phrase: (What do they say to release their sword?) • Resereccion Actions: (What do they do to release their sword?) • Resereccion Appearance: (Describe what their resserecion looks like) • Resereccion Abilities: (Explain the several powers and abilities this form grants them)  Part Four The Extras • Background:  Part Four The Extras • Background: |
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Re: Asoka Tenyu - The Goddess Of Time
Tue Aug 20, 2013 2:13 pm
 Asoka Tenshu The goddess of time  Part One Basics of the stained • Name: Yuki Kaizme • Titles: Tricera Espada, Blood of the Kaizme • Age: 3,456 • Birthday: December 12th • Gender: Female • Race: Arrancar • Blood Type: O • Affiliation/Rank: The Espada • Relationships: - Zefonse Kaizme (FATHER) • Theme: Youmu Konpaku's Theme - Mystic Oriental Dream • Colour: Red • Quote: "Yare, yare. What is this mess? I'll mop the floor with your face before we're done!"  Part Two The Racial Qualities/Sword Stances • Nukitsuke Nukitsuke is a technique known, more commonly to those of the Japanese martial-arts realm, as the draw-slash. The draw slash is, essentially, a single movement strike that is quite a prominent feature of attacking. By applying the right pressure to the areas on Yuki's feet, she is capable of maximizing the output of said draw slash to even slice straight through a person with a clean cut or a seki-seki stone. For example, this draw slash is capable of being used so fast that it can be seen as impossible for the eye to follow. She is capable of using this draw slash to cleave through opponents almost instantly, as well as a surprise attack. Nukitsuke isn't only strong, but once it is used with her Zanpakutō, it often can be seen to send off waves of pressurized reiatsu which is stored within her massive reiatsu bank inside of her body. This is a common technique used among swordsman, although once again, Yuki has been able to customize it to fit her will. Basically, this allows her, at will, to launch out virutal blades that are around twice as long, and wide, as her original katana's. This is used by infusing her reiatsu and the reishi around her and forcing it into her blade, so when the quick strike occurs/draw slash, it can replicate up to fifty different quick-draw slashes slicing out simultaneously in a ten foot wide and fifty foot area in front of her body. A powerful technique for her draw slashes, indeed. • Chudan No Kamae The stance in many Japanese arts, mainly used by warriors and Samurai who used a katana. The idea of this is that the user puts %30 of their weight onto their front foot whilst the other %70 is put onto the back foot, whilst hands are lifted up at placed the katana horizontally outwards, as if she was stabbing the opponent. This is a rather offensive technique from the Chudan no Kamae, allowing a range of stab like techniques as well as parries from upwards slices. This allows quick, and deadly attacks on the opponents within a moments notice. For example, if an opponent were to come running at Yuki, she would be able to let loose ten multiple quick-stabs from her sword before they even made it within striking distances. Not only this, but it allows quick low attacks on the opponent as slashes, allowing quick slashes at the opponent's ankles and lower body by simple moving her hands to the bottom of their feet, slicing Achilles tendon and other vital areas that may inhibit movement. Although she has added her own ability to this stance of sword fighting. Basically, when using the stabbing like stance, she is capable of striking out at least a thousand stabs in the span of five seconds, around two hundred and fifty stabs a second. This is capable of completely obliterating objects such as stone or even pierce straight through metal, often being able to shatter it in it's toughest state. This is how powerful this is, meaning that if used on an opponent at direct range; could prove to be that it could constantly stab them over a thousand times, often tearing up their insides with repetitive strikes from whatever sword she uses, mainly usage of her Zanpakutō. • Gedan No Kamae Gedan No Kamae has shown to be a quite an interesting stance. By placing her right leg forward, and her left leg backwards, she is capable of distributing her weight onto the back of her leg at around %75 of her total weight whilst the leading foot has been shown to have around %30 of total weight pushed onto it. This has shown to be a standard defensive technique used in Japanese martial arts of the sword. Gedan no Kamae allows herself to use an advanced power of this, however. Rather than simply letting Yuki use simple sword techniques to block strikes, Yuki can make even more defensive maneuvers here. Naturally, this stance allows Yuki to be able to defend the lower sections on her body and keep a good defense on the mid-section of her body. By twisting the sword in her hands, she is capable of spinning the blade in front of her body at blinding speeds. She can do this so fast that the long swords are generally seemingly able to deflect anything it touches by curving it off the blade. Generally, this is found to be possible on small items such as bullets or pieces of shrapnel. Not only this, but this is capable of being used to stop a bunch of sword slashes from making contact with her body. Not only this, but the twirling of this katana in front of her body can act as a shredding device; being able to clearly slice anything that comes within the torrent of quick-strikes that come within the distance of her blades. The distance of the quick-slashes in front of her body are around two metres, each slash is capable of bringing down a hollow in a single slash. Essentially, this is used as a defensive mechanism. However, it can be used as offensive when need be, slicing the enemy into nothing but tiny bits of diced up tofu. The maximum amount of times she can swing the lades before she loses coordination is around a thousand times, duration being at around ten seconds at total; making it a hundred slashes a second. • Shisha no suraisu Interestingly, Yuki has proven herself to be quite the amazing swords woman when it comes to the art of the sword. On many occasions, she has proven that she is capable of utilising these sword skills to take down enemies rather quickly, alongside taking down many opponents. She has proven, throughout her time as an arrancar, and even before she had actually died, that she is very capable of using a sword and has found it possible to even use her blades on almost impossible positions on her body. For example, she is capable of holding her katana's in her mouth, blades between her fingers are even as far as holding swords within the grasps of her open-bare feet. Her swordsman ship with her hands is quite possibly her best feature of all her forms, her skills with a blade proving to be prominent in many, many factors of her battle life. Yuki's enhanced swordsman ship has many applications throughout her lifetime, although the most notable feature of her swordsmanship as been proven in her Shisha no Suraisu. The technique, which is considered a natural ability to Yuki, Shisha no Suraisu is a powerful technique which has been used quite a bit in her time as an arrancar. Mastering the powers of this, Yuki has shown herself to be able to perform a different type of art; not simply based around striking with her sword. Basically, Shisha no Suraisu is capable of 'Absolute Constant Velocity'. The basic idea behind this swordsman ship technique is to use her sword strikes into attacks that cannot be blocked by conventional means, unless making contact with another weapon such as a Zanpakutō (weapon that is tied to the persons body, connected to them). The Shisha no Suraisu has been shown to be quite a powerful technique as once it has swung, it is capable of slicing through absolutely anything, even Seki-seki stone; which has been considered the toughest material in all spiritual realms. This is an inbuilt natural power to her, being able to transfer this unstoppable force into absolutely anything she touches. As for anything she touches, the effects of absolute constant velocity can last for up to five seconds, depending on the size of the object. For example, if she were to transfer this power into something the size of a building, it is likely it would only last one second. The basic idea of this, in short terms, is that once she swings her blade/uses her item, it will remain at the same speed no matter what target it hits; being able to blast through anything. Finally, this has to be considered as a powerful technique of hers. It cannot be used all of the time, it can only be used every second post. For example, if she were to constantly use this effect on an opponent to slice through them, not ad-hereing the single post waiting period which is required is capable of having intense effects on herself. These effects include coughing up blood, headaches, weary vision/eye sight or extreme muscle pains. This is dangerous to her being in battle as it can cause openings in her defence. This is quite a powerful, and yet destructive, ability too. Using this technique is quite a powerful one, and if not used rightly, it can also be used against her. For example, if she mis-cut with her swords, it could be possible that she could slice open her main arteries with extreme ease. Not only this, but she is extremely capable of making the enviroment around herself to be dangerous to fight in. Slicing buildings to the point where they're unstable, strees, mountains, etc. It is a extremely powerful technique that most people would find hard to best. Natural Side • In depth understanding of Hollow Arts
• Immense spiritual pressure It has been noted by Yuki in the past that her spiritual pressure has shown to be a rather intense and scary thing. As a powerful arrancar, she has proven that her reiatsu alone has been shown to kill weak-level hollow like creatures, similar to that of Starkk who has shown to be able to simply kill weak hollow creatures with his spiritual pressure alone. Yuki is also said to have a terrifying amount of control over her reiatsu, let alone the intense amount of it that is present within her. On many cases, Yuki Kaizme has been able to overwhelm opponents in her general vicinity with the storage of power inside of her. Alongside the ability to rain down such heavy reiatsu on an area, it would feel as if the gravity has shifted and in some cases, cause people to be pinned to the floor or even the decay of buildings being shown. Finally, there is the case of her spiritual pressure manipulation. She is capable of channeling her reiatsu very finely into specific parts of her body, into her hands and can make her sword strikes of punches much more effective; this has also been shown to be able to push into her feet, making kicks even more powerful than before. A powerful essence to have in many situations and fights. • Enhanced Durability Yuki's enhanced durability is nothing that should be taken lightly, her intense natural defense being nothing but absolutely overwhelming. As her defense is so powerful, it has been proven that she can withstand even sword slashes from opponents without serious injury and be capable of only drawing a minor amount of blood at a basic level, if the opponent isn't overpowered with attacks. Her durability is nothing to laugh at, alongside her reiatsu, which has also proven to be quite a durability boost as she can soften the blow from attacks by forcing her reiatsu into separate locations on her body. This is capable of stopping blows without having to rely on her hierro to stop strikes. She definitely could outmatch many people in terms of defense. • Super-human strength The super-human ideas of strength have come into account when Yuki has come into combat. The idea of her strength is based on her defense as well, her natural over-whelming strength seemingly more than enough to destroy and out-math opponents by sheer force. This, combined with her intense usage of swords, has proven to be quite powerful and can make intense slashes with her strength. Such things have shown to be able to cleave people in two, or even cleave buildings in two without the aid of her unstoppable movement. Not only this, but her sword styles proven to be helpful in the art of strength as well. Not only this, but while she might not be advanced amazingly at her hand to hand combat, she could very easily use the intense strength to throw loose punches or kicks at the opponent, often mixing brawler-styled boxing and street fighting into her sword play. • Unequaled Knowledge of Battle Yuki has been able to demonstrate, multiple times in her past, that she has quite a head for battle, being able to analyse and devise new and unique ways to take down an opponent rather than the head on approach. This knowledge also extends to techniques outside of battle, meaning that she is quite knowledgeable in areas such as setting traps, creating poisons or even coming up with plans before an assault on an area. Not only this, but she has shown that she is capable of setting up major defenses for different sites, being inclined and rather knowledgeable in areas such as advances electrical sciences, mechanics and even biology/chemistry; allowing her to create poisons and eroding chemicals together which can be used in attacks or simply as traps/defense systems. Something that shouldn't be taken lightly from Yuki, which people constantly under-estimate because of her physique. • Attack Speed In a similar fashion to her amazing draw-slash technique, she has been known to be able to attack at blinding speeds, that beyond which the normal eye could follow. Her sword strikes are extremely fast, and when combined with her strength proves to be a rather intense feature of he power. Not only sword slashes, but she is known to use punches and kicks which can travel at beyond that of many people's; being able to even crush people's bones under the intense speed in which they travel. Unlike most other people, Yuki has been known to rely on both style of sword techniques; both old (swordplay/art) and new (destructive force and overpowering). The idea of this speed helps both of these styles, allowing extremely powerful and destructive strikes while being blindingly fast, as well as that of the amazingly precise strikes of the old style, mixed in with the intensive speed. It becomes a rather useful tactic in the end. • Blood Crystallization The blood crystallisation technique is something that has shown to be amazingly useful in terms of fighting. The crystallization has proven to be able to harden and, obviously, crystallize Yuki's own blood; both within and outside of the body. For example, if she spilt blood over her body, say over her arms and it was running down her arm, she could harden that and force it to crystallize. Not only this, but once crystallizing takes place, she can control it into any shape she so wishes. The only pre-requisite for the crystallization to work, is that she needs to be touching her own blood to be able to make it hardened. This is also useful when used inside of her own body, meaning that just under the skin (for the first layer of blood closest to the surface) can become hardened and crystallized; proving that it's only a small amount. If too much is crystallized, it could very make her possible to kill herself but hardening too much blood. The idea of this is that it can add a hidden-armour like effect, and when the skin is opened enough; the blood won't spill out; rather it'll tear open a wound; but it'll reveal a hardened layer of blood armour. This is breakable, though. With enough force, it can be shattered and go back into it's original state of liquid. Finally, the thing that needs to be noted is that this can only be worked on her own blood. This means that any blood split on the battlefield of her own, if she touches it (at any location) she can hardened the blood and use it as a sword or set a trap of deadly blood spikes that are crystallized.  Part Three Zanpakutō and Equipment Equipment • Katana Storage The first thing that need to be noted about the abundance of swords she uses, is that they're all attached to her own Zanpakutō. Meaning, her sealed Zanpakutō takes the appearance of a many different type of Zanpakutō. Considering her proficiency with swords and weapons, she has been found to have a rather intensive collection of katana's alongside her own Zanpakutō. Not only this, but at all times, she has been shown to carry at least two swords with here even in social events. She has her Zanpakutō strapped to her waist held in a sheathe whilst a chain-like belt holding three personalized katana's on her back and another katana on the opposite side of her waist. First of all, her katana on the left side of her body appears to be green in colour; the entire sword being on of her most prized possessions. Each sword has it's own unique attributes to it, each sword having a unique power essence and can be used in a multiple range of ways in combat. First of all, the green katana, named Tamashī no kuchiku-kan (literally soul destroyer) has the a rather unique power to it. By drawing her sword, at will, she can activate the sword to glow a intense green, the green being vibrant in colour whilst radiating energy that is stored within it. In her possession, over all, she has over a thousand katana's in her possession; all of which are simply man made by herself. Tamashī no kuchiku-kan This specific katana allows her to use the power of sound manipulation. This is a rather interesting power to be stored within a katana, but each swing can generate sound waves from the blade and be able to cause enough shock-waves to tear up the ground and even shatter bones of humans. This isn't simply it though, this section of her sword allows the control over the pitch of items though. By performing a specific motion with her sword, whilst the green aura is active, she can amplify the sound within a certain concentrated area. By twisting her sword inbetween both of her hands then making a instant horizontal then vertical strike; the noise of an area will begin to amplify as much as she wishes. This allows the use of such things as sirens to amplify to deafen enemies, noises to become so loud they can cause shock waves and even disrupt the vibrations in objects/the air. Although, only she can use this power and cause the intense loud sounds. For example, she'd need to make a building to collapse or activate a siren herself to cause the amplification. If a person were to let out a wildly loud noise, it wouldn't be amplified and used against her. Although this can back fire and be used against her at any time. Even so, the sound manipulation is only on a small scale compared to most sound users. Mizu suto The blue Katana is, as one might have guessed, the ability to be able to manipulate the water that encompasses an area. When activated properly, the katana essentially is capable of turning even the toughest of opponents against themselves if they are a water user. The name of this katana is known as Mizu Suto, which literally means Water Strike in Japanese. Basically, by doing a motion similar to that of the green katana, Yuki is capable of now, by swiping her katana, controlling the directon in which the water in the area flows. All she has to do to activate the control is point, momentarily, the tip of her blue katana at the source of water then swipe with it. Once she has taken control over that body of water, she can control it until the blue katana is deactivated again. Although the downside to this is that she can only move and lift up to five tons of total water before it ends up becoming too heavy for her, there for not allowing her, for example, to pick up an entire ocean and drop it over a landmass or enemy to kill them. Although, there is one final thing. Although the water isn't blood, once she take control over it, she has been able to actually, solidify and freeze the water through the same technique that she does with her blood. Meaning, she can soot sharp shards of ice off and attempt to impale the enemy with a deadly strike. Hōkō seigyo The second to last katana she has spawned from her Zanpakutō has been noted as; "Hōkō Seigyo" which literally translates to direction control in English. Basically, this is a sword of interesting power. By activating this, a white aura controls the entirety of the blade. It appears to be glowing in nothing but a white energy of mist, but also allows a much more desired effect. By doing a motion as the last few katana's had, she is capable of creating a directional manipulation field around a foot around her white katana. The main idea of this, is that where she strikes her katana, she can alter the trajectory of any given item or weapon that comes into contact with this blade. This even works against a person. For example, if a sword were to clash with this, it could knock the sword back from where it cam from by altering the trajectory of the blade, or even making it swing to the side. Finally, when used against a bullet or something, she can swipe the sword in the general location as the bullet is close to her and even direct the shot directly back at the opponent. However, this only works once the white aura is active and still leaves her prone to sneak attacks. Finally, this only lasts for two posts at a time until a two post wait comes into account. Aka chinmoku The final katana that isn't directly her Zanpakutō is known as Aka Chinmoku, literally translating to Red Silence in English, allows a rather unique ability from it. Although, it is more of a hidden power rather than an overwhelmingly strong one such as the other sword powers. Basically, the sword has a false length. What happens is, once this sword activates, it glows a deep red in a vibrant sense. Although this is a weird power, it actually extends the blade an extra metre, adding an invisible metre of length onto the blade. However, this is the default stretch. For example, in a single swipe, she could be able to manipulate the size of the invisible tip to be at least ten metres long, only being able to be sensed through the reiatsu output it is giving off as well as touch. Although this becomes noticeable that there's an invisible sword strike coming as she swings from a distance. By using this, it can constantly vary the distance needed to strike, being able to constantly throw an opponent off of how much distance there needs to be to avoid the strike. Zanpakutō Sealed State • Sealed Zanpakutô: Yuki's own Zanpakutō has an interesting appearance, although it isn't typically of what someone would expect of a Zanpakutō. The Zanpakutō appears to be that of a Katana, rather simple (picture seen at the top of application) and it's seen to be a black and white bladed Katana. Half of the blade, and majority of the tip, appears to be coated in a black coat of paint with white and green stripes wrapped around each section, one at the tip; and one closer to the hilt. The handle itself appears to be a weaved, professionally, golden and black colour; the metal composing the handle as well as the guard a golden colour while the cloth wrapping it is black. Finally, at the end of the handle, there appears to be a soft white cloth which loosely hangs, tied up with a hair-tie just before the rest of the tail flows. The sharp-sided edge of the blade appears to be white in colour, although the blunt-side appears to be black. The scabbard of the Zanpakutō also appears to be completely black with hooks that attach if to her waist on it, white and green stripes appearing in the same location as they do on the blade itself. Finally, this isn't the only part of her sealed Zanpakutō. Rather, the four other katana's described earlier? They're a part of her Zanpakutō. Basically, upon becoming a arrancar, Yuki had become an interesting figure for the arrancar. She had her Zanpakutō essence put not only into one blade, but due to the power within herself and zanapkuto being so vast, separate bits were transformed into four other blades to balance out the control. Although, whilst the above katana's hold the power, the main katana (described above the paragraph) is the golden, green white and black katana. She uses that as her last weapon for sealed, often only attacking with that sword when she has become serious or intends to kill the target before her. Only being saved for a special someone who manages to fill that slot. • Racial Abilities: (Explain the several abilities an Arrancar know. These include the Cero, Bala and sonido etc. If you so wish, leave out ones if you do not want them to know it.) • Unique Abilities: (Explain any sealed abilities you know. For example, Ulqiorra's eye ability.) Resereccion • Resereccion Name: (What name does their resserecion go by?) • Resereccion Release Phrase: (What do they say to release their sword?) • Resereccion Actions: (What do they do to release their sword?) • Resereccion Appearance: (Describe what their resserecion looks like) • Resereccion Abilities: (Explain the several powers and abilities this form grants them)  Part Four The Extras • Background: |
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Re: Asoka Tenyu - The Goddess Of Time
Tue Aug 20, 2013 2:13 pm
 Asoka Tenshu The goddess of time  Part One Basics of the stained • Name: Yuki Kaizme • Titles: Tricera Espada, Blood of the Kaizme • Age: 3,456 • Birthday: December 12th • Gender: Female • Race: Arrancar • Blood Type: O • Affiliation/Rank: The Espada • Relationships: - Zefonse Kaizme (FATHER) • Theme: Youmu Konpaku's Theme - Mystic Oriental Dream • Colour: Red • Quote: "Yare, yare. What is this mess? I'll mop the floor with your face before we're done!"  Part Two The Racial Qualities/Sword Stances • Nukitsuke Nukitsuke is a technique known, more commonly to those of the Japanese martial-arts realm, as the draw-slash. The draw slash is, essentially, a single movement strike that is quite a prominent feature of attacking. By applying the right pressure to the areas on Yuki's feet, she is capable of maximizing the output of said draw slash to even slice straight through a person with a clean cut or a seki-seki stone. For example, this draw slash is capable of being used so fast that it can be seen as impossible for the eye to follow. She is capable of using this draw slash to cleave through opponents almost instantly, as well as a surprise attack. Nukitsuke isn't only strong, but once it is used with her Zanpakutō, it often can be seen to send off waves of pressurized reiatsu which is stored within her massive reiatsu bank inside of her body. This is a common technique used among swordsman, although once again, Yuki has been able to customize it to fit her will. Basically, this allows her, at will, to launch out virutal blades that are around twice as long, and wide, as her original katana's. This is used by infusing her reiatsu and the reishi around her and forcing it into her blade, so when the quick strike occurs/draw slash, it can replicate up to fifty different quick-draw slashes slicing out simultaneously in a ten foot wide and fifty foot area in front of her body. A powerful technique for her draw slashes, indeed. • Chudan No Kamae The stance in many Japanese arts, mainly used by warriors and Samurai who used a katana. The idea of this is that the user puts %30 of their weight onto their front foot whilst the other %70 is put onto the back foot, whilst hands are lifted up at placed the katana horizontally outwards, as if she was stabbing the opponent. This is a rather offensive technique from the Chudan no Kamae, allowing a range of stab like techniques as well as parries from upwards slices. This allows quick, and deadly attacks on the opponents within a moments notice. For example, if an opponent were to come running at Yuki, she would be able to let loose ten multiple quick-stabs from her sword before they even made it within striking distances. Not only this, but it allows quick low attacks on the opponent as slashes, allowing quick slashes at the opponent's ankles and lower body by simple moving her hands to the bottom of their feet, slicing Achilles tendon and other vital areas that may inhibit movement. Although she has added her own ability to this stance of sword fighting. Basically, when using the stabbing like stance, she is capable of striking out at least a thousand stabs in the span of five seconds, around two hundred and fifty stabs a second. This is capable of completely obliterating objects such as stone or even pierce straight through metal, often being able to shatter it in it's toughest state. This is how powerful this is, meaning that if used on an opponent at direct range; could prove to be that it could constantly stab them over a thousand times, often tearing up their insides with repetitive strikes from whatever sword she uses, mainly usage of her Zanpakutō. • Gedan No Kamae Gedan No Kamae has shown to be a quite an interesting stance. By placing her right leg forward, and her left leg backwards, she is capable of distributing her weight onto the back of her leg at around %75 of her total weight whilst the leading foot has been shown to have around %30 of total weight pushed onto it. This has shown to be a standard defensive technique used in Japanese martial arts of the sword. Gedan no Kamae allows herself to use an advanced power of this, however. Rather than simply letting Yuki use simple sword techniques to block strikes, Yuki can make even more defensive maneuvers here. Naturally, this stance allows Yuki to be able to defend the lower sections on her body and keep a good defense on the mid-section of her body. By twisting the sword in her hands, she is capable of spinning the blade in front of her body at blinding speeds. She can do this so fast that the long swords are generally seemingly able to deflect anything it touches by curving it off the blade. Generally, this is found to be possible on small items such as bullets or pieces of shrapnel. Not only this, but this is capable of being used to stop a bunch of sword slashes from making contact with her body. Not only this, but the twirling of this katana in front of her body can act as a shredding device; being able to clearly slice anything that comes within the torrent of quick-strikes that come within the distance of her blades. The distance of the quick-slashes in front of her body are around two metres, each slash is capable of bringing down a hollow in a single slash. Essentially, this is used as a defensive mechanism. However, it can be used as offensive when need be, slicing the enemy into nothing but tiny bits of diced up tofu. The maximum amount of times she can swing the lades before she loses coordination is around a thousand times, duration being at around ten seconds at total; making it a hundred slashes a second. • Shisha no suraisu Interestingly, Yuki has proven herself to be quite the amazing swords woman when it comes to the art of the sword. On many occasions, she has proven that she is capable of utilising these sword skills to take down enemies rather quickly, alongside taking down many opponents. She has proven, throughout her time as an arrancar, and even before she had actually died, that she is very capable of using a sword and has found it possible to even use her blades on almost impossible positions on her body. For example, she is capable of holding her katana's in her mouth, blades between her fingers are even as far as holding swords within the grasps of her open-bare feet. Her swordsman ship with her hands is quite possibly her best feature of all her forms, her skills with a blade proving to be prominent in many, many factors of her battle life. Yuki's enhanced swordsman ship has many applications throughout her lifetime, although the most notable feature of her swordsmanship as been proven in her Shisha no Suraisu. The technique, which is considered a natural ability to Yuki, Shisha no Suraisu is a powerful technique which has been used quite a bit in her time as an arrancar. Mastering the powers of this, Yuki has shown herself to be able to perform a different type of art; not simply based around striking with her sword. Basically, Shisha no Suraisu is capable of 'Absolute Constant Velocity'. The basic idea behind this swordsman ship technique is to use her sword strikes into attacks that cannot be blocked by conventional means, unless making contact with another weapon such as a Zanpakutō (weapon that is tied to the persons body, connected to them). The Shisha no Suraisu has been shown to be quite a powerful technique as once it has swung, it is capable of slicing through absolutely anything, even Seki-seki stone; which has been considered the toughest material in all spiritual realms. This is an inbuilt natural power to her, being able to transfer this unstoppable force into absolutely anything she touches. As for anything she touches, the effects of absolute constant velocity can last for up to five seconds, depending on the size of the object. For example, if she were to transfer this power into something the size of a building, it is likely it would only last one second. The basic idea of this, in short terms, is that once she swings her blade/uses her item, it will remain at the same speed no matter what target it hits; being able to blast through anything. Finally, this has to be considered as a powerful technique of hers. It cannot be used all of the time, it can only be used every second post. For example, if she were to constantly use this effect on an opponent to slice through them, not ad-hereing the single post waiting period which is required is capable of having intense effects on herself. These effects include coughing up blood, headaches, weary vision/eye sight or extreme muscle pains. This is dangerous to her being in battle as it can cause openings in her defence. This is quite a powerful, and yet destructive, ability too. Using this technique is quite a powerful one, and if not used rightly, it can also be used against her. For example, if she mis-cut with her swords, it could be possible that she could slice open her main arteries with extreme ease. Not only this, but she is extremely capable of making the enviroment around herself to be dangerous to fight in. Slicing buildings to the point where they're unstable, strees, mountains, etc. It is a extremely powerful technique that most people would find hard to best. Natural Side • In depth understanding of Hollow Arts
• Immense spiritual pressure It has been noted by Yuki in the past that her spiritual pressure has shown to be a rather intense and scary thing. As a powerful arrancar, she has proven that her reiatsu alone has been shown to kill weak-level hollow like creatures, similar to that of Starkk who has shown to be able to simply kill weak hollow creatures with his spiritual pressure alone. Yuki is also said to have a terrifying amount of control over her reiatsu, let alone the intense amount of it that is present within her. On many cases, Yuki Kaizme has been able to overwhelm opponents in her general vicinity with the storage of power inside of her. Alongside the ability to rain down such heavy reiatsu on an area, it would feel as if the gravity has shifted and in some cases, cause people to be pinned to the floor or even the decay of buildings being shown. Finally, there is the case of her spiritual pressure manipulation. She is capable of channeling her reiatsu very finely into specific parts of her body, into her hands and can make her sword strikes of punches much more effective; this has also been shown to be able to push into her feet, making kicks even more powerful than before. A powerful essence to have in many situations and fights. • Enhanced Durability Yuki's enhanced durability is nothing that should be taken lightly, her intense natural defense being nothing but absolutely overwhelming. As her defense is so powerful, it has been proven that she can withstand even sword slashes from opponents without serious injury and be capable of only drawing a minor amount of blood at a basic level, if the opponent isn't overpowered with attacks. Her durability is nothing to laugh at, alongside her reiatsu, which has also proven to be quite a durability boost as she can soften the blow from attacks by forcing her reiatsu into separate locations on her body. This is capable of stopping blows without having to rely on her hierro to stop strikes. She definitely could outmatch many people in terms of defense. • Super-human strength The super-human ideas of strength have come into account when Yuki has come into combat. The idea of her strength is based on her defense as well, her natural over-whelming strength seemingly more than enough to destroy and out-math opponents by sheer force. This, combined with her intense usage of swords, has proven to be quite powerful and can make intense slashes with her strength. Such things have shown to be able to cleave people in two, or even cleave buildings in two without the aid of her unstoppable movement. Not only this, but her sword styles proven to be helpful in the art of strength as well. Not only this, but while she might not be advanced amazingly at her hand to hand combat, she could very easily use the intense strength to throw loose punches or kicks at the opponent, often mixing brawler-styled boxing and street fighting into her sword play. • Unequaled Knowledge of Battle Yuki has been able to demonstrate, multiple times in her past, that she has quite a head for battle, being able to analyse and devise new and unique ways to take down an opponent rather than the head on approach. This knowledge also extends to techniques outside of battle, meaning that she is quite knowledgeable in areas such as setting traps, creating poisons or even coming up with plans before an assault on an area. Not only this, but she has shown that she is capable of setting up major defenses for different sites, being inclined and rather knowledgeable in areas such as advances electrical sciences, mechanics and even biology/chemistry; allowing her to create poisons and eroding chemicals together which can be used in attacks or simply as traps/defense systems. Something that shouldn't be taken lightly from Yuki, which people constantly under-estimate because of her physique. • Attack Speed In a similar fashion to her amazing draw-slash technique, she has been known to be able to attack at blinding speeds, that beyond which the normal eye could follow. Her sword strikes are extremely fast, and when combined with her strength proves to be a rather intense feature of he power. Not only sword slashes, but she is known to use punches and kicks which can travel at beyond that of many people's; being able to even crush people's bones under the intense speed in which they travel. Unlike most other people, Yuki has been known to rely on both style of sword techniques; both old (swordplay/art) and new (destructive force and overpowering). The idea of this speed helps both of these styles, allowing extremely powerful and destructive strikes while being blindingly fast, as well as that of the amazingly precise strikes of the old style, mixed in with the intensive speed. It becomes a rather useful tactic in the end. • Blood Crystallization The blood crystallisation technique is something that has shown to be amazingly useful in terms of fighting. The crystallization has proven to be able to harden and, obviously, crystallize Yuki's own blood; both within and outside of the body. For example, if she spilt blood over her body, say over her arms and it was running down her arm, she could harden that and force it to crystallize. Not only this, but once crystallizing takes place, she can control it into any shape she so wishes. The only pre-requisite for the crystallization to work, is that she needs to be touching her own blood to be able to make it hardened. This is also useful when used inside of her own body, meaning that just under the skin (for the first layer of blood closest to the surface) can become hardened and crystallized; proving that it's only a small amount. If too much is crystallized, it could very make her possible to kill herself but hardening too much blood. The idea of this is that it can add a hidden-armour like effect, and when the skin is opened enough; the blood won't spill out; rather it'll tear open a wound; but it'll reveal a hardened layer of blood armour. This is breakable, though. With enough force, it can be shattered and go back into it's original state of liquid. Finally, the thing that needs to be noted is that this can only be worked on her own blood. This means that any blood split on the battlefield of her own, if she touches it (at any location) she can hardened the blood and use it as a sword or set a trap of deadly blood spikes that are crystallized.  Part Three Zanpakutō and Equipment • Background: |
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Re: Asoka Tenyu - The Goddess Of Time
Tue Sep 10, 2013 1:30 pm
Moving this app to Old WIP since it has been 2 weeks. if finished please refer to This thread or ask staff to move it.
PockehMetal as Fuck- Joined : 2010-12-11
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Re: Asoka Tenyu - The Goddess Of Time
Sat Sep 06, 2014 1:59 am
Archiving due to member inactivity.
I envy because of the heart.
I glutton because of the heart.
I covet because of the heart.
I am prideful because of the heart.
I sloth because of the heart.
I rage because of the heart.
Because of the heart...
I lust for everything about you.
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I glutton because of the heart.
I covet because of the heart.
I am prideful because of the heart.
I sloth because of the heart.
I rage because of the heart.
Because of the heart...
I lust for everything about you.
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We Are Legion
Character Permissions
Communication Thread
Character Substitutions
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